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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Junebugs © 2017
Music, PremieresJune 1, 2017<June 1, 2017

Premiere: The Junebugs Toil Away with Heart & Soul on “The Grind”

David Ryan Harris © Shervin Lainez
Music, PremieresJune 1, 2017<June 1, 2017

Premiere: David Ryan Harris’ “Coldplay” Evokes the Love & Pain of Poignant Memory

Midnight Sun - Dante Matas album art
Music, PremieresJune 1, 2017<June 1, 2017

EP Premiere: ‘Midnight Sun’ Establishes Dante Matas as a Lyrical Intellectual

The Band Camino © 2017
Features, Music, Premieres, ReviewsJune 1, 2017<June 7, 2017

EP Premiere: The Band CAMINO Reach ‘Heaven’ with Passion & Grace

I Feel Funny - Wooter
Music, PremieresMay 31, 2017<May 31, 2017

Premiere: Wooter Slip into a Daydream in “I Feel Funny”

RYAL © Shervin Lainez
Music, PremieresMay 31, 2017<May 31, 2017

Premiere: The Intimate Pulse of RYAL’s “Care of You”

Fritz Montana © 2017
Music, PremieresMay 30, 2017<May 30, 2017

Premiere: Fritz Montana’s Raw “Blood on My Lip” Captures Human Imperfection

Neighbourhoods Pt.2 - FAIRCHILD still
Music, Music Videos, PremieresMay 30, 2017<May 30, 2017

Premiere: The Dark Vibes & Chilling Lies of FAIRCHILD’s “Neighbourhoods Pt.2”

Boston Calling 2017
Features, Festival, Music, News, PreviewsMay 26, 2017<June 1, 2017

(Y)Our Guide to Boston Calling Music Festival, May 2017

Adaline © 2017
Music, Music Videos, PremieresMay 26, 2017<May 26, 2017

Video Premiere: Adaline’s Achingly Raw “How Could We Know”

Frozen Falls
Debut, Music, PremieresMay 26, 2017<May 25, 2017

Premiere: Frozen Falls Debut with Dark Passion on “Frozen Arrows”

Bones, Hold Me Up - Tyler Sjöström
Music, PremieresMay 26, 2017<August 19, 2019

EP Premiere: The Spirit & Passion of Tyler Sjöström’s ‘Bones, Hold Me Up’

Find Yourself - Great Good Fine Ok & Before You Exit
Features, Music, Reviews, This Just InMay 26, 2017<May 26, 2017

This Just In: The Passionate Plea of “Find Yourself” by Great Good Fine Ok & Before You Exit

vivienne chi © 2017
Debut, Features, Music, PremieresMay 26, 2017<May 24, 2017

Premiere: Vivienne Chi Debuts “Vivienne” with Pain, Passion, and Fury

Suffer the Children © Jonathan Dy
Debut, Music, PremieresMay 25, 2017<May 25, 2017

Premiere: The Lonely Cry of Suffer the Children’s “Bear Witness”

Posts pagination
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Recent Posts

  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
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  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
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  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
  • “Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth December 12, 2025
  • “I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance December 11, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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