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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Do Whatchu Want to Me - NoMBe single art
Columns, Features, Music, Today's SongJune 28, 2017<June 28, 2017

Today’s Song: NoMBe’s Intoxicating Summer Love Song “Do Whatchu Want to Me”

Caitlin Eadie © 2017
Music, PremieresJune 27, 2017<June 27, 2017

Premiere: The Intimate Howl of Caitlin Eadie’s Anthemic “Wolf Cry”

Do You Ever - Cardboard Foxes artwork
Music, PremieresJune 27, 2017<June 27, 2017

Premiere: Cardboard Foxes Capture Summer’s Kiss on “Do You Ever?” (feat. Kenyo)

Dakota Blue - "Aw Man" still
Music, Music Videos, PremieresJune 26, 2017<June 26, 2017

Premiere: Escape into Another World with Dakota Blue’s “Aw Man”

Time, Color - The Big Drops
Debut, Music, PremieresJune 23, 2017<June 23, 2017

Album Premiere: The Big Drops’ Debut ‘Time, Color’ Offers Adventure & Respite

S.T.T. - Beta Days album art
Debut, Features, Music, Premieres, ReviewsJune 23, 2017<June 29, 2017

Album Premiere: Beta Days Capture Real Life on Debut ‘S.T.T.’

FIJI "Boy Oh Boy" still
Music, Music Videos, PremieresJune 16, 2017<June 16, 2017

Premiere: “Boy Oh Boy,” FIJI’s Dark Modern Fairytale

Promise - One Hundred Paces still
Music, Music Videos, PremieresJune 16, 2017<June 16, 2017

Video Premiere: One Hundred Paces’ “Promise” Is a Snapshot of Love

Benediction - Paula Boggs Band
Music, Music Videos, PremieresJune 16, 2017<June 16, 2017

Premiere: Paula Boggs Band’s “Benediction” Inspires Hope & Positive Action

Antony Payne © 2017
Music, PremieresJune 16, 2017<June 16, 2017

Premiere: The Catchy Pain of Antony Payne’s “Horns”

Volcano - Emma Charleston
Music, PremieresJune 15, 2017<June 15, 2017

Premiere: Emma Charleston’s Airy, Hypnotic & Delicate “Volcano”

Nora Rothman © 2017
Music, Music Videos, PremieresJune 15, 2017<June 15, 2017

Premiere: The Youthful Glaze of Nora Rothman’s “Truth or Dare”

Ruby Force © Casey Curry
Debut, Music, PremieresJune 15, 2017<June 15, 2017

Premiere: Love and Faith in Ruby Force’s Impassioned “Diamonds”

Gordi © Cameron Wittig
Features, Music, Music Videos, Reviews, This Just InJune 14, 2017<November 4, 2019

This Just In: The Heavy Heart of Gordi’s “Heaven I Know”

The Rescue - Mørk
Music, Music Videos, PremieresJune 13, 2017<June 13, 2017

Premiere: Mørk’s Dark “The Rescue” Blurs Reality & Technology

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Recent Posts

  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
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  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
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  • “Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth December 12, 2025
  • “I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance December 11, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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