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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Ultralife - Oh Wonder single art 2017
Features, Music, Reviews, This Just InMarch 31, 2017<July 24, 2017

This Just In: Oh Wonder Return with Joie de Vivre on “Ultralife”

The Ruby Shots © Hannah Keiffert
Music, PremieresMarch 30, 2017<March 30, 2017

Premiere: The Ruby Shots Take Off on the Road with “Brake Lights”

Jacob Schaffer © 2017
Music, PremieresMarch 30, 2017<March 30, 2017

Premiere: Jacob Schaffer’s “Valley Road” is a Warm Ode to Family

Lulu Lewis © 2017
Music, Music Videos, PremieresMarch 30, 2017<March 30, 2017

Video Premiere: Lulu Lewis Unmask and Empower on Filmic “All Just Pretending”

I Can't Tell - Digvalley
Features, Music, Music Videos, PremieresMarch 28, 2017<March 28, 2017

Video Premiere: Digvalley’s “I Can’t Tell” is Intimate, Vulnerable, and Overwhelmingly Beautiful

Sir Sly © Eliot Lee Hazel
Features, Music, Music Videos, Reviews, This Just InMarch 26, 2017<June 20, 2024

This Just In: Sir Sly’s Raw “High” Hits Hard and Feels Good

The Harmed Brothers x Mcdougall
Music, PremieresMarch 24, 2017<March 24, 2017

Premiere: McDougall & The Harmed Brothers’ Collaboration is Humble, Heartfelt, and Fun

Radclyffe Hall © 2017
Music, PremieresMarch 22, 2017<March 22, 2017

Premiere: Escape into Radclyffe Hall’s Seductive “Run Run Run”

Call Me - Imelda May
Columns, Music, Today's SongMarch 21, 2017<March 21, 2017

Today’s Song: Imelda May’s “Call Me” and Heartache’s Heavy Wait

Faze Wave © 2017
Music, PremieresMarch 21, 2017<March 21, 2017

Premiere: Faze Wave Catch a Spark on “Chemistry”

Matt Hires © Jesse Spencer
Features, Music, Music Videos, PremieresMarch 20, 2017<March 20, 2017

Video Premiere: Matt Hires’ “Don’t Let Your Heart Grow Cold,” a Passionate Ode to the Past

NØMADS © Kiki Conway
Music, PremieresMarch 20, 2017<April 5, 2017

Premiere: Brooklyn’s NØMADS Elevate Our Fear on “Acrophobia”

The War on Peace © Chris Hershman
Music, PremieresMarch 20, 2017<April 1, 2017

Premiere: The War on Peace Face Broken Dreams and Suffering on “Fear of Loss”

New Politics © Max Schwartz
Features, Music, Reviews, This Just InMarch 17, 2017<May 15, 2017

Review: New Politics’ “One of Us” is the Inclusive Anthem 2017 Needs

Robes © 2017
Debut, Music, PremieresMarch 17, 2017<March 17, 2017

Album Premiere: ROBES’ ‘Indecline’ Ascends with Heavy Hits & Insights

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
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  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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