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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Matt Paxton © 2017
Music, Premieres, ReviewsJuly 19, 2017<July 19, 2017

EP Premiere: Matt Paxton’s Raw & Heartfelt ‘Hunter Street Station Blues’

Brock © 2017
Music, PremieresJuly 19, 2017<July 19, 2017

Premiere: Brock Indulges in Love’s Warmth on “Never Die”

Amberay 2017
Music, PremieresJuly 18, 2017<July 31, 2017

Premiere: Amberay’s Teen Dream “Woman Like a Fantasy”

Flood Coats © Andrew Glendinning
Music, PremieresJuly 18, 2017<July 18, 2017

Premiere: Flood Coats’ Enchantingly Provocative “Don’t Hold the Door”

JAHS feat Miranda Glory 2017
Music, Music Videos, PremieresJuly 18, 2017<July 18, 2017

Video Premiere: Love Games Get Real on “Magician” by JAHS & Miranda Glory

The Tambo Rays © Sam Shapiro
Features, Music, PremieresJuly 17, 2017<July 17, 2017

EP Premiere: The Tambo Rays’ ‘Recharge’ Is Optimist Pop with a Twist

So Below © 2017
Music, PremieresJuly 17, 2017<July 17, 2017

Premiere: The Haunting Echo of So Below’s “SGL” (Now, Now Cover)

The Strike © 2017
Music, Music Videos, PremieresJuly 17, 2017<July 17, 2017

Video Premiere: Prejudice & Longing in The Strike’s “Faint of Heart”

The Struts © Catie Laffoon
Features, Music, Reviews, This Just InJuly 14, 2017<January 25, 2018

This Just In: The Struts Return with Epic Rock Anthem “One Night Only”

Insomnia - Palm Ghosts
Music, PremieresJuly 14, 2017<July 14, 2017

Premiere: The Fragile Melancholia of Palm Ghosts’ “Insomnia”

Hayden Calnin © I like what you look like
Debut, Features, Interviews, MusicJuly 13, 2017<January 25, 2018

‘Cut Love’ Cuts Deep: An Interview with Hayden Calnin

kate crash © Map of the Heart perfume
Music, Music Videos, PremieresJuly 13, 2017<July 13, 2017

Video Premiere: “Became a Blur,” Kate Crash’s Powerful Awakening

The Dot and the Line
Debut, Music, Music Videos, PremieresJuly 13, 2017<July 13, 2017

Premiere: The Dot and the Line’s Darkly Human Debut “Draw Me In”

James Riotto © 2017
Music, PremieresJuly 13, 2017<July 13, 2017

Premiere: James Riotto Explores Dynamics & Privilege on “Hypocrite”

Thinking Of You - Matt Koelsch
Music, PremieresJuly 13, 2017<July 13, 2017

Premiere: Poignant Love on Matt Koelsch’s Ballad “Thinking of You”

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Recent Posts

  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
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  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
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  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
  • A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers May 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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