• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Gary J © 2017
Debut, Music, PremieresAugust 10, 2017<August 10, 2017

Premiere: Gary J Debuts with Dark Wake-Up Call “Edge of the Night”

Petunia You're Home - Walter Etc.
Music, PremieresAugust 10, 2017<August 10, 2017

Premiere: Warmth, Hope and Dreams in Walter Etc.’s “Petunia You’re Home”

Tom Forest - Believer 2017
Music, Music Videos, PremieresAugust 10, 2017<August 10, 2017

Premiere: Tom Forest Will Be Your “Believer” in Powerful New Song

Ruby Force © Casey Curry
Music, Music Videos, PremieresAugust 9, 2017<August 9, 2017

Video Premiere: Ruby Force’s Heartfelt, Howlin’ “Ode to Vic Chesnutt”

All Is Well © 2017
Music, PremieresAugust 9, 2017<August 9, 2017

Premiere: The Intimate Intensity of All Is Well’s “Push You”

Joey Sweeney © Marie Alyse Rodriguez
Music, PremieresAugust 8, 2017<August 8, 2017

Premiere: The Warmth of Joey Sweeney & The Neon Grease’s “Black Ice”

Half Gringa © 2017
Debut, Music, PremieresAugust 7, 2017<August 7, 2017

Premiere: The Vulnerable Intensity of Half Gringa’s “Body of Water”

FRND © 2017
Debut, Features, Interviews, MusicAugust 4, 2017<September 17, 2022

In Your Dreams and Real: A Conversation with FRND

Topaz © 2017
Music, PremieresAugust 4, 2017<August 4, 2017

Premiere: The Deep, Pulsing Vibes of Topaz’s “I Can Tell”

Broken - 4TK The Fourth Kingdom
Music, PremieresAugust 4, 2017<August 4, 2017

Premiere: Dark Pop & Pain in The Fourth Kingdom’s “Broken”

Patrick James © 2017
Columns, Music, Today's SongAugust 4, 2017<August 4, 2017

Today’s Song: Patrick James’ Soulful & Enduring “Lay It Down”

How It Has To Be - Looms album art
Features, Music, Premieres, ReviewsAugust 3, 2017<August 3, 2017

Album Premiere: The Dazzling Depth of Looms’ ‘How It Has to Be’

Broken Back © 2017
Features, Music, Reviews, This Just InAugust 3, 2017<August 3, 2017

This Just In: The “Wait” Is Over for Broken Back’s Intimate New Anthem

Sydney Lauren © 2017
Debut, Music, Music Videos, PremieresAugust 3, 2017<August 3, 2017

Premiere: Sydney Lauren Sheds the Past in Vulnerable “Haunt Me”

Waves - Wayfinders
Music, PremieresAugust 3, 2017<August 3, 2017

Premiere: Wayfinders Bask in Euphoric “Waves” on Electro-Pop Anthem

Posts pagination
1 … 267 268 269 270 271 … 306

Recent Posts

  • “Kicking the Past in the Teeth”: Loren Berí Reckons With Aging, Nostalgia, and His Own Jadedness on “Dimes Square Is Over,” a Synth-Pop Eulogy for a Fallen Scene July 13, 2026
  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
  • “The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’ July 9, 2026
  • “Take a Leap of Faith, or You Can Be Brave”: Portland’s BendreTheGiant Turn a Moment of Crisis into a Spectacular Act of Empathy & Endurance July 9, 2026
  • “Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love July 9, 2026
  • “In the Sun I’m Laughing”: How Babe Rainbow Put a Fresh Twist on Old Tricks With “Acid and Honey,” a Six-Minute Psychedelic Symphony July 9, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services