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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Grow - Frances
Columns, Debut, Music, Today's SongAugust 12, 2015<March 27, 2017

Today’s Song: Frances Explores Ambience and Imperfection on “When It Comes To Us”

Ella on The Run
Columns, Music, Music Videos, Today's SongAugust 11, 2015<August 12, 2015

Today’s Song: Ghosts of Love Haunt Ella On The Run’s “Rodeo Clowns”

Columns, Music, Music Videos, Today's SongAugust 7, 2015<August 7, 2015

Today’s Song: Secret Someones Dive “Headfirst” into Occult and Empowerment

Miss Mirage - NoMBe
Columns, Music, Today's SongJuly 21, 2015<March 22, 2018

Today’s Song: The Enchanting Turmoil of NoMBe’s “Miss Mirage”

wonder? - James Scott
Columns, Debut, Music, Today's SongJuly 20, 2015<July 21, 2015

Today’s Song: The Settling Unsettledness of James Scott’s “wonder?”

Stubborn Son press
Debut, Features, Interviews, Music, ReviewsJuly 16, 2015<July 17, 2015

Rock, Soul, and Sincerity: A Conversation With Stubborn Son

Columns, Debut, Music, Today's SongJuly 15, 2015<December 11, 2017

Today’s Song: Anteros Deconstruct Unrequited Love in “Fade To Grey”

Years & Years
Debut, Features, Music, Our Take, ReviewsJuly 13, 2015<July 14, 2015

Review: “Communion” Has Us Dancing For Years & Years

Pretty Speeches - Poema
Features, Music, Our Take, ReviewsJuly 11, 2015<July 13, 2015

Review: Poema Offer Melodic Perfection on New EP “Pretty Speeches”

Features, Music, ReviewsJuly 10, 2015<July 10, 2015

Review: The Weepies’ “Sirens” Hits Close to Home

Across the Water - Family Friends
Columns, Debut, Music, Today's SongJuly 9, 2015<July 9, 2015

Today’s Song: The Timelessness of Family Friends’ Enchanting “On Your Mind”

Ash
Music, Our Take, ReviewsJuly 8, 2015<July 10, 2015

Review: Explosive Alt-Rock Rules on Ash’s “KABLAMMO!”

RUN KOKO - Hey Anna
Debut, Features, Music, Our Take, ReviewsJuly 7, 2015<July 8, 2015

Review: Hey Anna Capture the Summer on “RUN KOKO”

Begging (Music Video) - Lions Head
Columns, Music, Music Videos, Music You Should Know, ReviewsJuly 6, 2015<July 6, 2015

Lions Head Shows Face On “Begging” Music Video

Touch - MAALA
Columns, Debut, Music, Reviews, Today's SongJuly 2, 2015<July 3, 2015

Today’s Song: MAALA Falls Out of Love on Debut “Touch”

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
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  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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