• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Wages "Rattlesnake" still
Features, Music, Music Videos, PremieresAugust 18, 2016<August 18, 2016

Exclusive Premiere: Wages’ “Rattlesnake” Copes with Pain in Darkness

Broods is Georgia and Caleb Nott
Features, Interviews, MusicAugust 15, 2016<August 29, 2016

Bigger, Bolder, and ‘Conscious’: A Conversation with Broods

The Rare Occasions (from left to right): Peter Stone, Jeremy Cohen, Brian McLaughlin, and Luke Imbusch // credit: Jonas Meyer 8.6
Features, Music, Our Take, ReviewsAugust 11, 2016<June 16, 2022

Our Take: Daring and Depth on The Rare Occasions’ “Futureproof” EP

COTE © Jen Trahan
Columns, Debut, Music, Today's SongAugust 10, 2016<December 17, 2018

Today’s Song: Intimate Reflections on COTE’s Debut “London”

Youth Culture © Brigid Crispi
Debut, Features, Interviews, MusicAugust 8, 2016<August 8, 2016

Youth Culture’s “U:Me” Navigates Young Lust

Private Island 2016
Features, Music, Our Take, ReviewsAugust 5, 2016<August 5, 2016

Our Take: Private Island’s “Sunbreak” EP is a Coming-of-Age Treasure

Newbury Park, CA six-piece HUNNY
Columns, Music, Today's SongAugust 4, 2016<August 4, 2016

Today’s Song: HUNNY’s “Colder Parts” Lights an Empowering Fire

Vylet
Debut, Features, Music, PremieresAugust 3, 2016<August 3, 2016

Exclusive Premiere: Vylet Debuts with Youthful Turmoil on “Why”

KOLAJ © Koury Angelo
Debut, Features, Interviews, MusicAugust 3, 2016<August 3, 2016

Pop Outside the Box: A Conversation with KOLAJ

Lone Kodiak © Erin Marie Miller (www.erin-miller.com)
Features, Music, PremieresAugust 2, 2016<August 2, 2016

Exclusive Premiere: Lone Kodiak Engulf & Ignite on Daughter’s “Smother”

Blondfire "Domino" still
Features, Interviews, Music, Music VideosJuly 29, 2016<July 29, 2016

The “Domino” Effect: True Confessions with Blondfire

Weathers "Happy Pills" still
Columns, Debut, Music, Today's SongJuly 22, 2016<February 12, 2019

Today’s Song: Weathers’ “Happy Pills” and the Coming-of-Age Struggle

Debut, Features, Music, PremieresJuly 18, 2016<July 18, 2016

Exclusive Premiere: Mean Siders Debut with Unforgiving Energy on “Fashioned Ribs”

CAFUNÉ © Savannah Daras
Features, Interviews, MusicJuly 15, 2016<July 15, 2016

“Don’t You Forget” to Love Yourself: An Interview with CAFUNÉ

still from Deepakalypse's "Dim Sum" music video
Features, Music, Music Videos, PremieresJuly 14, 2016<July 14, 2016

Exclusive Premiere: Deepakalypse’s “Dim Sum” Soaks Up the Summer Sun

Posts pagination
1 … 284 285 286 287 288 … 299

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services