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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Left Lane Cruiser © Joel Faurote
Music, PremieresApril 27, 2017<April 27, 2017

Premiere: Left Lane Cruiser’s “Still Rollin'” Is One for the Road

Things I've Never Said - Frances
Debut, Features, Interviews, Music, ReviewsApril 26, 2017<April 26, 2017

The Soul of a Songwriter: A Conversation with Frances

Nick Moran © Elli Lauren
Music, PremieresApril 26, 2017<April 26, 2017

Premiere: Chaos & Comfort Color Nick Moran’s Soulful “Easier Time”

Tableaux - Light Entertainment
Debut, Music, PremieresApril 25, 2017<April 28, 2017

Premiere: The Intoxicating Allure of Light Entertainment’s Debut “Tableaux”

Fallow Land © Heather Nash
Debut, Music, PremieresApril 25, 2017<April 25, 2017

Premiere: The Authentic Struggle of Fallow Land’s “Faux”

Novo Amor © Rhodri Brooks
Columns, Features, Music, Music Videos, Reviews, Today's SongApril 25, 2017<April 27, 2017

Review: The Heartache & Beauty of Novo Amor’s Intimate “Carry You”

Hoyle © Herb Gonzalez
Music, Music Videos, PremieresApril 21, 2017<April 21, 2017

Video Premiere: The Pain & Passionate Plea of Hoyle’s Anthemic “Revival”

Everything Turned to Color © Taylor Ballantyne
Debut, Music, PremieresApril 20, 2017<April 20, 2017

Premiere: Everything Turned to Color’s Heartfelt “Once Upon a Lifetime”

Vylet © 2017
Debut, Music, PremieresApril 20, 2017<April 20, 2017

Premiere: The Dreamy Intimacy of Vylet’s Lovestruck “Lightning”

broken - lovely.the.band single art
Columns, Debut, Music, Today's SongApril 20, 2017<August 12, 2019

True Connection & Perfect Imperfection in lovely.the.band’s Debut “broken”

Stay Inside © 2017
Debut, Music, PremieresApril 19, 2017<April 19, 2017

Premiere: Stay Inside’s “Blockbussa” Evokes the Isolation of Culture Clash

MAZES - bookstore
Music, PremieresApril 18, 2017<April 18, 2017

Premiere: Mazes Set Off on Adventure in “West Coast Revolution”

Dabble © 2017
Debut, Music, PremieresApril 17, 2017<April 17, 2017

Album Premiere: The Colorful Dreaminess of Dabble’s Debut ‘Touch’

Skye Steele - "Back in the Valley"
Music, Music Videos, PremieresApril 17, 2017<April 17, 2017

Video Premiere: Skye Steele’s Hometown Homage “Back in the Valley”

Father John Misty © Guy Lowndes
Features, Music, ReviewsApril 17, 2017<January 25, 2018

Understanding the Importance of Father John Misty’s ‘Pure Comedy’

Posts pagination
1 … 286 287 288 289 290 … 313

Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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