• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Carry Illinois © 2017
Music, PremieresMay 8, 2017<November 29, 2017

Premiere: The Resilient Energy of Carry Illinois’ Somber “Little Shell”

saw tooth wave © 2017
Debut, Music, PremieresMay 8, 2017<May 8, 2017

Premiere: Saw Tooth Wave’s Driving Synth-Rock Debut “My New Bicycle”

James Arthur © 2017
Features, Interviews, Music, ReviewsMay 8, 2017<December 15, 2020

Recovery, Redemption, and Finding Purpose: A Conversation with James Arthur

Cowards Choir - The Singing Tree © 2017
Music, Music Videos, PremieresMay 5, 2017<May 5, 2017

Premiere: The Cowards Choir Evoke a Circle of Life on “The Singing Tree”

Laika - Mothlight
Music, Premieres, ReviewsMay 5, 2017<May 8, 2017

Album Premiere: The Dazzling Warmth of Mothlight’s Dreamy ‘Laika’

I See Rivers © 2017
Debut, Features, Music, Our Take, ReviewsMay 4, 2017<May 12, 2017

Our Take: The Enchanting Siren Song of I SEE RIVERS’ Debut ‘Standing Barefoot’ EP

Falling Off the Earth - Rachel Price still
Music, Music Videos, PremieresMay 4, 2017<May 4, 2017

Video Premiere: Pain and Passion in Rachel Price’s Lovelorn “Falling Off the Earth”

TATRAN "Eyes" still
Music, Music Videos, PremieresMay 3, 2017<May 4, 2017

Premiere: The Sensational, Unsettling Power of TATRAN’s Epic “Eyes”

Battlehooch © Marta Barensfeld
Music, PremieresMay 3, 2017<May 3, 2017

Premiere: Battlehooch’s “Used to Think of You” Is a Psych-Rock Trip Down Memory Lane

Jon and Roy © Kim Jay Photography
Features, Music, PremieresMay 3, 2017<May 3, 2017

Premiere: Jon and Roy’s “The Better Life” Embraces Today for a Hopeful Tomorrow

Be Happy - FRND
Features, Interviews, Music, ReviewsMay 3, 2017<May 3, 2017

The Tender Emotion and Poignant Closure of FRND’s “Be Happy”

WVM © 2017
Music, Music Videos, PremieresMay 2, 2017<May 2, 2017

Premiere: The Dark Allure and Primal Urge of WVM’s “I Will Run”

Modern Mal © 2017
Music, PremieresMay 2, 2017<May 2, 2017

Premiere: The Forlorn Lament of Modern Mal’s Dreamy “Wild Heart”

Soft Swells © Kyle Dean Reinford
Music, Music Videos, PremieresMay 1, 2017<April 16, 2020

Video Premiere: The Raw Youth & Inspiring Energy of Soft Swells’ “Reins”

Tara Terra © 2017
Features, Music, PremieresMay 1, 2017<May 1, 2017

Premiere: The Bittersweet Beauty of Tara Terra’s “Like the Clothes”

Posts pagination
1 … 286 287 288 289 290 … 314

Recent Posts

  • “There’s Heaven in the Suburbs”: Gang of Youths Bask in the Joy of Becoming on “Things Take Time,” a Golden-Hued Ode to Patience and Possibility November 11, 2026
  • “I’ll Miss You Forever and Ever”: Julia Logan Rides Love’s Bittersweet High on “Tidal Wave,” a Lush, Sun-Kissed Folk Pop Reverie November 11, 2026
  • Friendship, Laughter, & Harmony: Tiny Habits Set Themselves Free on ‘Keepers,’ a Colorful Portrait of Living and Loving Out Loud November 11, 2026
  • Anberlin Are Still Writing Their Own Story: On Change, Creative Trust, and ‘CURRENCY’ November 11, 2026
  • Why Is It So Hard for Great Musicians to Stay Together? Oysterhead, Supergroups, and the Perils of Creative Genius November 10, 2026
  • The Listener Knows Something the Singer Doesn’t: The Making of Darren Hayman’s ‘I’m Your Team’ November 10, 2026
  • The Rage That Raised Us: Atreyu’s ‘A Death-Grip on Yesterday’ at 20 November 10, 2026
  • “The Audio Equivalent of a Bosch Painting”: Erotic Secrets of Pompeii Dance Through Modern Madness on “Crowstepper,” a Delirious Art-Rock Séance November 10, 2026
  • “Shapeshifting Through the Voice”: Witness Nnux’s ‘Metamorfosis’ into a Master Electronic Composer November 9, 2026
  • “Why Stay in a Narrow Lane?”: Toronto’s TAURO Revel in the Sweet Sting of “Crüel to Be Distant,” a Lush, Soulful Indie Pop Reverie November 9, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services