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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Everything Is Green
Debut, Features, Music, PremieresSeptember 14, 2016<September 14, 2016

Exclusive Premiere: The Colorful Flavors on Everything is Green’s “Sweet Teeth”

Faulkner
Columns, Music, Today's SongSeptember 13, 2016<September 13, 2016

Today’s Song: Faulkner’s Anthem “Halo Me” Finds Strength in Hardship

CLAVVS © Piezo Quartz
Features, Music, PremieresSeptember 8, 2016<September 8, 2016

Exclusive Premiere: CLAVVS’ Hypnotic and Lustful “Serpentine”

Cubits © Isaac Winkler
Debut, Features, Music, PremieresAugust 30, 2016<August 30, 2016

Exclusive Premiere: Iowa’s Cubits Hypnotize on Debut “Oh Well That Ends Well”

St Paul and the Broken Bones © David McClister
Columns, Music, Today's SongAugust 29, 2016<September 9, 2016

Today’s Song: St. Paul & The Broken Bones Challenge Apathy on “All I Ever Wonder”

Glass Animals © Neil Krug
Features, Interviews, MusicAugust 25, 2016<March 22, 2017

The Musician’s Guide to Human Beings: A Conversation with Glass Animals

Future Soul © Kyle Gilbert
Features, Music, PremieresAugust 24, 2016<August 24, 2016

Exclusive Premiere: Future Soul’s “Faith” Seeks Light in the Dark

Hey Violet is Rena Lovelis, Nia Lovelis, Miranda Miller, and Casey Moreta
Features, Interviews, MusicAugust 23, 2016<March 2, 2025

Love, Pop, and Brand New Moves: A Conversation with Hey Violet

Wages "Rattlesnake" still
Features, Music, Music Videos, PremieresAugust 18, 2016<August 18, 2016

Exclusive Premiere: Wages’ “Rattlesnake” Copes with Pain in Darkness

Broods is Georgia and Caleb Nott
Features, Interviews, MusicAugust 15, 2016<August 29, 2016

Bigger, Bolder, and ‘Conscious’: A Conversation with Broods

The Rare Occasions (from left to right): Peter Stone, Jeremy Cohen, Brian McLaughlin, and Luke Imbusch // credit: Jonas Meyer 8.6
Features, Music, Our Take, ReviewsAugust 11, 2016<June 16, 2022

Our Take: Daring and Depth on The Rare Occasions’ “Futureproof” EP

COTE © Jen Trahan
Columns, Debut, Music, Today's SongAugust 10, 2016<December 17, 2018

Today’s Song: Intimate Reflections on COTE’s Debut “London”

Youth Culture © Brigid Crispi
Debut, Features, Interviews, MusicAugust 8, 2016<August 8, 2016

Youth Culture’s “U:Me” Navigates Young Lust

Private Island 2016
Features, Music, Our Take, ReviewsAugust 5, 2016<August 5, 2016

Our Take: Private Island’s “Sunbreak” EP is a Coming-of-Age Treasure

Newbury Park, CA six-piece HUNNY
Columns, Music, Today's SongAugust 4, 2016<August 4, 2016

Today’s Song: HUNNY’s “Colder Parts” Lights an Empowering Fire

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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