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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Joy Mumford "Spilt Milk" © 2023
Columns, Music, Today's SongJuly 13, 2023<July 13, 2023

Today’s Song: Joy Mumford’s “Spilt Milk” Offers a Lesson in Vulnerability & Letting Go

Atwood Magazine's Editor's Picks 103
Columns, Editor's Picks, Features, MusicJuly 13, 2023<December 11, 2023

Editor’s Picks 103: EmmersonHALL, Boyish, Maple Glider, Blondes, Girl Scout, & Mumble Tide!

Cosial © Katy Gettings
Columns, Music, Today's SongJuly 12, 2023<July 12, 2023

Today’s Song: Manchester’s Cosial Gets Under the Surface and “In View” on Her Intimate Indie Pop Confessional

Mise en Scene 'Reality Bites' © Adam Kelly 2023
Features, Interviews, Music, Track-by-TrackJuly 12, 2023<July 12, 2023

Unfiltered & Unapologetic: Mise en Scene Deliver Raw Truths and Fresh Grooves on ‘Reality Bites’ EP

Today's Outfit © 2022
Debut, Features, Interviews, Music, Track-by-TrackJuly 12, 2023<July 12, 2023

‘Your Perfect Self’: Today’s Outfit Debut With Social Media Critiques and a Searing New Wave Sound

Alice Merton 'S.I.D.E.S.' © Aykut Aydoğdu
Features, InterviewsJuly 11, 2023<July 11, 2023

“There is strength in being vulnerable”: Alice Merton Embraces Life’s Many S.I.D.E.S. With an Honest Heart & Open Soul

Crave! - Frankie Morrow © Tabitha Wykeham
Columns, Music, Today's SongJuly 10, 2023<July 10, 2023

Today’s Song: Frankie Morrow’s “Crave!” Burns with a Seductive & Sweltering Heat

Leo © Claire Giuffre
Columns, Music, Today's SongJuly 7, 2023<July 9, 2023

Today’s Song: The Raw Inner Reckoning of Leo’s Soul-Stirring “Rough Hands”

Sunday Lendis © Maria Alzamora 2023
Debut, Features, Interviews, Music, Track-by-TrackJuly 7, 2023<July 8, 2023

Vulnerable, Intricate, & Beautiful: Leeds’ Sunday Lendis Shines on Debut EP ‘Long Exposure’

Eliza Elliott © Katie Kutchmire
Columns, Music, Today's SongJuly 6, 2023<July 6, 2023

Today’s Song: The Warm Glow of Eliza Elliott’s Vulnerable, Visceral, & Vivid “Live in My Brain”

Jo Hill © Charlotte Alex
Features, Interviews, Music, Track-by-TrackJune 16, 2023<June 16, 2023

Feature: Jo Hill Is Ready to Soundtrack the Summer With ‘Cinematic Baby’

Atwood Magazine's Editor's Picks 102
Columns, Editor's Picks, Features, MusicJune 14, 2023<June 15, 2023

Editor’s Picks 102: Birthh, The Mysterines, Angie McMahon, Katelyn Tarver, Katherine Li, & The Japanese House!

Savannah Conley © Sophia Matinazad
Debut, Features, Interviews, MusicJune 13, 2023<June 14, 2023

“I’m a Romantic Nihilist”: Savannah Conley Discusses Songwriting, Mental Health, & Her Breathtakingly Vulnerable Debut Album

Mermaid Blues V1 - LAPêCHE
Columns, Music, Today's SongJune 13, 2023<June 13, 2023

Today’s Song: The Raw Verve & Vulnerability of LAPêCHE’s Seasonally-Charged “Mermaid Blues (V1)”

Small Shake © Brady Harvey
Debut, Music, PremieresJune 13, 2023<June 13, 2023

Premiere: Seattle’s Small Shake Debuts with “Imposter,” a Grunge-Pop Anthem for the Uncool

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Recent Posts

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  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
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  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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