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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Noble Oak © Scott Wong
Features, Interviews, Music, Track-by-TrackAugust 9, 2023<August 9, 2023

Feature: Noble Oak Embraces Inspiration & Catharsis on Intimate New Album, ‘When It Finds You’

The Dandys © Tom Vu
Music, PremieresAugust 9, 2023<August 9, 2023

Premiere: The Dandys Erupt in “Gums,” a Liberating, Visceral & Volatile Indie Rock Fever Dream

Toto Peña © River Stephenson
Music, PremieresAugust 8, 2023<August 7, 2023

Premiere: Toto Peña’s Sultry & Smoldering “Now” Captures the Heat of the Moment

deem spencer © Ramshah Kanwal
Features, Interviews, Music, Track-by-TrackAugust 7, 2023<August 10, 2023

Submerged in Water: deem spencer Dives into the Intimate & Vulnerable Depths of ‘adultSW!M’

Junaco © Nicole Mason
Columns, Music, Today's SongAugust 7, 2023<August 7, 2023

Today’s Song: Junaco’s “Everyone Talking” Is a Soothing, Sun-Kissed Vacation from Reality

Ken Yates © Jen Squires
Features, Interviews, Music, Track-by-TrackAugust 4, 2023<August 4, 2023

“Out of the darkness and into the night”: A Conversation With Ken Yates

"lilac" - TALIA © Tristan Webster
Columns, Music, Today's SongAugust 4, 2023<August 4, 2023

Today’s Song: TALIA’s Dynamic & Expansive “lilac” Finds Solace in Solitude

OK Hotel © 2023
Features, Interviews, Music, Track-by-TrackAugust 3, 2023<August 3, 2023

Feature: OK Hotel’s Heavy-Hitting ‘Come and Find Me’ EP Is a Seismic Gut-Punch

SHADOWKASTERS - The Rocket Summer
Features, Interviews, Music, Track-by-TrackAugust 3, 2023<August 3, 2023

“Coexistence of Dark and Bright”: The Rocket Summer Dives into ‘SHADOWKASTERS,’ His Fiery & Free-Spirited 8th LP

Mouraine © Mat Dunlap
Debut, Features, Interviews, Music, Track-by-TrackAugust 3, 2023<August 3, 2023

In Search of Gold: Mouraine Shines With Passion & Purpose on Radiant Debut Album

Blondes © Charlie Harris
Features, Interviews, Music, Track-by-TrackAugust 2, 2023<August 2, 2023

Track-by-Track: Blondes’ ‘In Separation’ EP Is an Oasis of Raw Emotion & Radiant Energy

The Bright Light Social Hour © Jaycee Grover
Music, PremieresAugust 2, 2023<August 2, 2023

Premiere: The Bright Light Social Hour Deliver Smoldering Psychedelia on “Lifers Only” Off 5th Album, ‘Emergency Leisure’

Little Fuss © Caleb Whelan
Features, Music, Premieres, Track-by-TrackAugust 2, 2023<August 2, 2023

EP Premiere: Boston’s Little Fuss Sizzle & Soar on the Irresistible ‘Lovely Distraction’

Sofia Machray © Olivia Melhop
Features, Interviews, Music, Track-by-TrackAugust 1, 2023<August 4, 2023

“Letters to my future self”: Sofia Machray Speaks the ‘Language of Flowers’ on Her Delicate & Dynamic Debut EP

Curling © 2023
Columns, Music, Today's SongAugust 1, 2023<August 1, 2023

“Don’t be defined by these chains”: Curling’s Heated, Anthemic Alt-Rock Surrender, “Patience”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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