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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Asylums © Alistair Underwood
Artist to Watch, Features, Interviews, Music, Track-by-TrackNovember 1, 2022<March 11, 2023

Trauma, Defiance, & Hope: UK’s Asylums Soar Triumphant on 4th LP, ‘Signs of Life’

Atwood Magazine's Editor's Picks 78
Columns, Editor's Picks, Features, MusicOctober 31, 2022<March 11, 2023

Editor’s Picks 78: Connie Constance, Lyves, ToBy, Holly Humberstone, Hayden Everett, & Runnner!

Sophie Faith © Toby Corton
Columns, Music, Today's SongOctober 31, 2022<October 29, 2022

London’s Sophie Faith Aches in All the Right Ways on Soulful & Smoldering “Heart Is on My Sleeve”

Phoebe & Elliott - Kalina Tyne
Columns, Music, Today's SongOctober 30, 2022<October 29, 2022

Phoebe Bridgers & Elliott Smith Come to Life in Kalina Tyne’s Brutally Honest Indie Folk Anthem

L.S. Dunes "Permanent Rebellion" music video still
Columns, Music, Today's SongOctober 29, 2022<October 29, 2022

Post-Hardcore Supergroup L.S. Dunes Debut with “Permanent Rebellion,” a Feverish Uproar of Sonic Fury & Volcanic Energy

Player - Phoebe Go © Nick McKinlay
Debut, Features, Interviews, Music, Track-by-TrackOctober 28, 2022<April 2, 2023

“I still shine from time to time”: Phoebe Go Stirs the Soul on Her Beautifully Raw Debut, ‘Player’

Field Guide - Field Guide
Features, Interviews, Music, Track-by-TrackOctober 28, 2022<October 28, 2022

Bet It All on the Music: Field Guide’s “Intimate, Vulnerable, & True” Self-Titled Album Aches with Dreamy Indie Folk Beauty

Happy Hour - Morning Midnight
Debut, Features, Interviews, Music, Track-by-TrackOctober 27, 2022<April 5, 2023

“Different Flavors of Sad”: Morning Midnight’s ‘Happy Hour’ Is the Perfect Soundtrack to Sorrow

The Mellons © 2022
Debut, Features, Interviews, Music, Track-by-TrackOctober 26, 2022<October 26, 2022

“Lost in a Moment, Caught in a Dream”: The Mellons Harness ‘Pet Sounds’ & ‘Sgt. Pepper’ on Stunning ’60s-Soaked Debut Album

Certainly So © Jackson Ross
Features, Interviews, Music, Track-by-TrackOctober 26, 2022<October 26, 2022

Dreams of Green: Nashville’s Certainly So Soar on Comforting, Sun-Kissed Sophomore LP

Cuffed Up © Ana Karotkaya
Music, PremieresOctober 26, 2022<October 26, 2022

Premiere: Cuffed Up’s Unapologetic New Post-Punk Song Is a Solid “10 for 10”

Rosemary & Garlic © Gema Perez
Columns, Music, Today's SongOctober 25, 2022<October 26, 2022

Today’s Song: Cherishing Life’s Memories Through Rosemary & Garlic’s Achingly Beautiful “Television”

Workhorse © Jordanne Chant
Debut, Features, Interviews, MusicOctober 24, 2022<October 24, 2022

Interview: Adelaide’s Workhorse Debuts with Lush, Dreamy, & Messy LP ‘No Photographs’

Being Funny in a Foreign Language - The 1975 10
Music, Our Take, ReviewsOctober 24, 2022<October 24, 2022

The 1975’s ‘Being Funny in a Foreign Language’ Is a Softly Stunning Masterpiece

Kuri © Camille Candia
Features, Interviews, Music, Track-by-TrackOctober 21, 2022<June 20, 2024

‘I Love You, You’re Welcome’: Kuri’s Smoldering Sophomore Album Is a Deep Breath of Longing & Healing

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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