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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

NEWSKI © Kelly Bolter
Features, Interviews, Music, Track-by-TrackApril 18, 2023<April 30, 2023

Fun Times with Friends: NEWSKI’s Spirited ‘Friend Rock’ Embraces Music’s Human Element

BAYEM © Anna Powell Denton
Columns, Music, Today's SongApril 18, 2023<April 30, 2023

Today’s Song: Basking in BAYEM’s Upbeat and Enamored “Starstruck”

Brian Dunne © Alana Urcia
Features, Interviews, MusicApril 18, 2023<May 17, 2023

“A Celebration of Failure”: Brian Dunne Shines on New Album ‘Loser on the Ropes’

Bodywash © Kristina Pedersen
Features, Interviews, Music, Track-by-TrackApril 14, 2023<April 30, 2023

Decay, Renewal, & Release: Inside Bodywash’s Dark, Cathartic Fever Dream ‘I Held the Shape While I Could’

Atwood Magazine's Editor's Picks 95
Columns, Editor's Picks, Features, MusicApril 13, 2023<April 13, 2023

Editor’s Picks 95: boygenius, BAILEN, The Beths, spill tab, Nuovo Testamento, & Chessa Rich!

Alexz Johnson 'Seasons' © Jen Squires
Features, Interviews, MusicApril 13, 2023<April 30, 2023

Interview: Alexz Johnson Embraces the ‘Seasons’ of Life on Her Hopeful & Healing 5th Album

Bobby Bazini © Alexandre Couture
Music, Music Videos, PremieresApril 13, 2023<April 30, 2023

Premiere: The Intoxicating Flow & Smoldering Seduction of Bobby Bazini’s “Waterfallin’”

Truth Decay - You Me At Six
Features, Interviews, Music, Track-by-TrackApril 12, 2023<April 30, 2023

“Heartache in the making”: You Me At Six’s Feverish ‘Truth Decay’ Is a Pop-Punk Love Letter to the Lost

Michigander © Hannah Hall
Features, Interviews, Music, Track-by-TrackApril 12, 2023<April 30, 2023

“I am calm, I am the storm”: Michigander Soars & Stirs on Spirited EP, ‘It Will Never Be the Same’

King Ivy 'Brown EP' © Darryl dela Cruz
Debut, Features, Interviews, Music, Track-by-TrackApril 11, 2023<April 30, 2023

Love, Hate, & Confusion: Brisbane’s King Ivy Stuns, Stirs, and Soars on Soulful Debut EP ‘Brown’

The Hackles © Justin Ringle
Features, Interviews, Music, Track-by-TrackApril 11, 2023<April 30, 2023

‘What a beautiful thing I have made’: The Hackles Lay Fresh Folk Roots on Their Intimate, Warm & Wondrous Third Album

Royel Otis © Alex Wall
Features, Interviews, Music, Track-by-TrackApril 4, 2023<December 19, 2023

All Hail the ‘Sofa Kings’: Royel Otis’ Euphoric Third EP Is Soaked in Freedom & Trust

Abi Ocia © Elena Cremona
Columns, Music, Today's SongApril 4, 2023<April 30, 2023

Today’s Song: Abi Ocia’s Soul-Stirring “30 Underwater” Is an Achingly Raw Reckoning with Time

Big in the USA - Kris Ulrich
Features, Interviews, Music, Track-by-TrackApril 3, 2023<April 30, 2023

Big in the USA: Winnipeg’s Kris Ulrich Dives into His Charismatic & Charming Sophomore LP

Stuck - Erez Zobary
Columns, Music, Today's SongApril 3, 2023<April 30, 2023

Adulting Made Easy(ish): Erez Zobary’s “Stuck!” Is a Soul-Pop Soundtrack to Our Quarter-Life Crisis

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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