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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Katie Boeck © Josh Kranich
Music, PremieresFebruary 8, 2023<February 8, 2023

Premiere: Nashville’s Katie Boeck Makes Peace with the Past in Smoldering Song, “Over Again”

Virginia Sweet © Andrew Kuykendall
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Feature: Virginia Sweet’s Debut EP ‘The Revival’ Soars with Feverish, Smoldering Southern Rock Charm

Personal Trainer © 2022
Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Feature: Indie Pop Duo Personal Trainer Shine on Cinematic, Evocative, & Cathartic ‘Reflex’ EP

janney - JANNEY
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Track-by-Track: JANNEY Dives into His Smoldering & Cinematic Self-Titled Debut Album

Patrick James © 2022
Features, Interviews, Music, Track-by-TrackFebruary 6, 2023<February 6, 2023

Feature: Patrick James Embraces Self-Reliance on Nostalgic, Autobiographical, & Heartfelt Sophomore LP ‘I’ll Take Care of Myself, If You Take Care of Yourself’

What Kind Of Music Do You Like To Listen To? - Coconut Cream
Features, Music, Track-by-TrackFebruary 6, 2023<February 6, 2023

Feature: Sydney’s Coconut Cream Shine on Dreamy & Golden EP, ‘What Kind of Music Do You Like to Listen To?’

SYML © Sarah Cass
Features, Interviews, Music, Track-by-TrackFebruary 3, 2023<February 4, 2023

“Cozy, Honest, Imperfect”: SYML Dives into the Raw Depths of ‘The Day My Father Died,’ an Album of Grief & Love

Somebody's Child © Nicholas O'Donnell
Debut, Features, Interviews, Music, Track-by-TrackFebruary 3, 2023<February 3, 2023

Feature: Somebody’s Child Soars Triumphant on Urgent, Brutal, & Honest Self-Titled Debut

Human - Signe Vange
Interviews, Music, Track-by-TrackFebruary 2, 2023<February 2, 2023

Track-by-Track: Signe Vange’s Softly Stirring, Achingly Raw, & Beautifully ‘Human’ EP

Atwood Magazine's Editor's Picks 86
Columns, Editor's Picks, Features, MusicFebruary 1, 2023<March 16, 2023

Editor’s Picks 86: Stephen Sanchez, Ken Yates, JOSEPH, Young Fathers, LULLANAS, & Hayfitz!

Evelyn Frances © Heather Skye photography
Columns, Music, Today's SongFebruary 1, 2023<February 1, 2023

Today’s Song: “Hold Yourself Together” Is Evelyn Frances’ Haunting Love Letter to New York City

Fly Yeti Fly © courtesy of the artist
Debut, Features, Interviews, Music, Track-by-TrackJanuary 31, 2023<January 31, 2023

Feature: Fly Yeti Fly’s ‘Make a Ring’ Is a Record of Honest, Hopeful, & Dreamy Folk Wonder

The Crystal Casino Band © Cagla Akcadag
Features, Interviews, Music, Track-by-TrackJanuary 27, 2023<January 29, 2023

Feature: ‘Maryland House’ Is The Crystal Casino Band’s Unconditional Triumph

Features, Interviews, Music, Track-by-TrackJanuary 27, 2023<January 27, 2023

Feature: Humanity’s Existential Crisis Shines on Tuomo & Markus’ ‘Game Changing’ New Album

We're Here, My Dear - Ging
Debut, Features, Interviews, Music, Track-by-TrackJanuary 26, 2023<January 26, 2023

“Ode to a Love That’s Free”: Ging’s (ex-Frank Dukes) Debut Album ‘We’re Here, My Dear’ Is a Breathtakingly Raw Reckoning

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