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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Abbie Ozard © Charlotte Rudd
Features, Interviews, Music, Reviews, Track-by-TrackJuly 7, 2022<July 7, 2022

Artist-to-Watch: Abbie Ozard Dives into Her ‘Water Based Lullabies’ EP, a Captivating & Charismatic Fever Dream

Ogi © Kanya Iwana
Debut, Features, Interviews, MusicJuly 7, 2022<July 7, 2022

Interview: Ogi Debuts Her Stunningly Soulful, Colorful & Expansive ‘Monologues’ EP

Doll Spirit Vessel © Doll Spirit Vessel
MusicJuly 7, 2022<July 7, 2022

Premiere: Doll Spirit Vessel’s Relaxing, Dreamy Sophomore Single “Something Small”

PRONOUN © 2021
Features, Interviews, Music, Track-by-TrackJuly 7, 2022<July 9, 2022

“The sound of depression trying to have a good time”: Pronoun’s Emotionally Charged ‘OMG I MADE IT’ EP

Atwood Magazine's Editor's Picks 70
MusicJuly 6, 2022<September 29, 2022

Editor’s Picks 70: Ash Grunwald, Sydney Sprague, Plastic Picnic, Louien, Motel Radio, & Georgie!

The Burma @ Ciara O'Toole
Music, Music Videos, PremieresJuly 6, 2022<July 6, 2022

Premiere: Irish Indie Rock Trio The Burma Uplift & Enchant with Spirited Anthem “Sleepers”

RY X © Clifford Usher
Features, Interviews, Music, Track-by-TrackJuly 1, 2022<July 1, 2022

‘Blood Moon’: RY X Dwells in Raw Depths on His Honest, Expansive, & Hauntingly Beautiful Third Album

Noah Reid © Eric Hobbs
Features, Interviews, MusicJune 30, 2022<September 29, 2022

‘Adjustments’: Noah Reid Opens Up About His Intimate, Epic, & Stirring Third Album

Éclo © Akvilė Bukauskaite
Debut, Music, PremieresJune 30, 2022<June 30, 2022

“Pine, Glimmer, Butterscotch”: Éclo (Hibou’s Peter Michel) Hatches with Wondrous Indie Folk on Self-Titled Debut

Atwood Magazine's Editors Picks 69
Columns, Editor's Picks, Features, MusicJune 29, 2022<September 29, 2022

Editor’s Picks 69: James Bay, Ashe, Djo, Lissy Taylor, Braxton Cook, & MYTBE!

The Rare Occasions © Alex Justice
Music, PremieresJune 29, 2022<August 29, 2024

Premiere: The Rare Occasions Surf Stormy Waves on Spirited New Single “Seasick”

KEZRA © Corey Adams
Music, Music Videos, PremieresJune 28, 2022<June 28, 2022

Premiere: Dwelling in the Dark, Distorted Depths of KEZRA’s “Back Home”

Honeyglaze © Holly Whitaker
Debut, Features, Interviews, Music, Track-by-TrackJune 27, 2022<June 27, 2022

“A Spiraling Breakfast”: Inside Honeyglaze’s Raw, Honest, & Vulnerable Self-Titled Debut Album

Chinwe © Jess Mogli
Music, PremieresJune 27, 2022<March 15, 2024

Embracing “Something Beautiful”: East London’s Chinwe Premieres Her Sweet, Summery Seduction

WANT - Johnny Hunter 10
Debut, Features, Interviews, Music, Track-by-TrackJune 24, 2022<July 2, 2022

“Welcome to your existence”: Johnny Hunter Triumph with Debut ‘WANT’, a Cinematic Post-Punk Masterpiece

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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