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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Night Palace © Maggy Swain
Debut, Features, Interviews, Music, Track-by-TrackMay 3, 2022<May 5, 2022

“Mythical Ocean Music”: Inside Night Palace’s Captivating Debut Album ‘Diving Rings’

Me and the Moon © Felix Bartlett
Music, PremieresMay 3, 2022<May 3, 2022

Premiere: London’s Me and the Moon Slow Down & Soak Up Life’s Beauty in Radiant “Fast Lane”

The Good Love © 2022
Music, PremieresMay 2, 2022<May 2, 2022

Premiere: The Good Love’s Radiant “Sunshine Sometime” Is a Sweet, Seductive Love Song for All

Memorial © Sequoia Ziff
Debut, Features, Track-by-TrackMay 2, 2022<May 2, 2022

“Hopeful, Honest & Warm”: Brighton’s Memorial Dive Inside Their Heartfelt, Stirring Debut Album

Alex Porat © Patrick Ryder
Columns, Music, Today's SongMay 2, 2022<May 2, 2022

Today’s Song: Alex Porat’s “Pity Party” Is an Unapologetic Anthem of Release & Self-Empowerment

Frontperson © Steve Calder & Eva Blue
Features, Interviews, Music, Track-by-TrackApril 29, 2022<April 29, 2022

Feature: Frontperson Revel in the Springy, Chaotic, & Vibrant Wonder of Sophomore LP ‘Parade’

Market © Ebru Yildiz
Debut, Features, Interviews, Music, Track-by-TrackApril 29, 2022<April 29, 2022

“Anxiety, Comedy, & Family”: Market’s Charged & Charming New Album, ‘The Consistent Brutal Bullshit Gong’

sister. © Jon Merlino
Columns, Music, Today's SongApril 28, 2022<April 28, 2022

Brooklyn Band sister.’s Visceral “Space Force” Is a Beautiful Crashing Satellite in Song

Gabríel Ólafs © Vidar Logi
Music, PremieresApril 28, 2022<April 28, 2022

Premiere: Icelandic Composer Gabríel Ólafs Stirs the Soul with Achingly Beautiful “The Drifter”

Atwood Magazine Editor's Picks 61
Columns, Editor's Picks, Features, MusicApril 27, 2022<September 29, 2022

Editor’s Picks 61: Jemima Coulter, Been Stellar, Rosie Carney, Carmody, She Her Her Hers, & dayaway!

Casey Dubie © 2022
Features, Interviews, Music, Track-by-TrackApril 27, 2022<April 27, 2022

Feature: Casey Dubie Shines Bright on Sophomore LP ‘Half-Hearted’, an Honest & Reflective Stream of Consciousness

Sweet Company - Vicky Farewell
Debut, Features, Interviews, Music, Track-by-TrackApril 27, 2022<April 27, 2022

“Sincere, Refreshing, & Effortless”: Vicky Farewell’s Debut Album Is Sun-Soaked ‘Sweet Company’

Sophia Bel © Will Arcand
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2022<September 29, 2022

Feature: Sophia Bel Opens Up on Her Stunningly Vulnerable, Transparent & Playful Debut ‘Anxious Avoidant’

Deer Scout © Felix Walworth
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2022<May 15, 2022

“Small, Close, & Sentimental”: Inside Deer Scout’s Comforting Debut Album ‘Woodpecker’

Atwood Magazine Editor's Picks 60
Columns, Editor's Picks, Features, MusicApril 22, 2022<September 29, 2022

Editor’s Picks 60: Lo, Jo Schornikow, Lisa Remar, Moreton, Katy J Pearson, & néomí

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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