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Adrian Vargas

Adrian Vargas

Adrian is a 2017 Florida State University graduate where he focused on editing, writing, and media. He is now living in Brooklyn, New York. Adrian works as a digital marketer, but music and all that goes into it continues to be a passion of his. You may find Adrian wandering around the city aimlessly (more than likely lost) or at home watching anime, movies, or reading anything sci-fi related. He can also make a dang good plate of shrimp scampi.

Columns, Music, Today's SongNovember 26, 2019<November 26, 2019

Today’s Song: Andy Shauf Shines on Deceptively Sweet “Try Again”

Music, PremieresNovember 25, 2019<November 25, 2019

Premiere: Mint Julep Shines with Style on New Single “Blinded”

Nick Leng
Columns, Music, Reviews, Today's SongNovember 21, 2019<November 21, 2019

Today’s Song: Nick Leng Captivates on Achingly Beautiful “Lonely Shade of Blue”

Weird Milk
Essays, Music, ReviewsNovember 19, 2019<November 19, 2019

Artist to Watch: Weird Milk Distinguish Themselves as One of UK’s Finest with “Time Machine”

Novemberism - Oliver Spalding
Debut, Interviews, Music, PremieresNovember 13, 2019<November 14, 2019

Album Premiere: Oliver Spalding Mesmerizes on Ethereal Debut ‘Novemberism’

Interviews, Music, Music Videos, PremieresNovember 13, 2019<November 14, 2019

Video Premiere: KaiL Baxley Evokes Grit and Beauty on “Beneath the Bones”

Sorcha Richardson by Cáit Fahey
Debut, Interviews, Music, ReviewsNovember 8, 2019<November 8, 2019

Transitions and the Memories They Bring: A Conversation with Sorcha Richardson

Columns, Music, Today's SongNovember 5, 2019<November 5, 2019

Today’s Song: Elephant Heart Hypnotize with Latest Single “The Thunder”

Columns, Music, Today's SongNovember 1, 2019<November 1, 2019

Today’s Song: Vaundy Breaks Down International Barriers on Captivating “Tokyo Flash”

Music, Music Videos, PremieresOctober 17, 2019<October 29, 2019

Video Premiere: ISEEBLUE Creates Celestial Splendor on “WINDOW”

Half Wolf
Columns, Music, Today's SongOctober 2, 2019<October 2, 2019

Today’s Song: Half Wolf Enchants with Empowering New Single “Cigarette Smoke”

Interviews, Music, ReviewsOctober 1, 2019<October 1, 2019

The Contrasting Narratives of Bleakness & Charm: A Conversation with The Golden Dregs

Desmerelda
Essays, Music, ReviewsSeptember 30, 2019<September 30, 2019

Editorial: Music Induced Memories with Desmerelda’s “Tango with the Hypnotist”

The Comet Is Coming
Columns, Music, Reviews, Today's SongSeptember 23, 2019<September 20, 2019

Today’s Song: Ethereal Explorations Continue on The Comet Is Coming’s “Lifeforce Part II”

9.4
Features, Interviews, Music, Our Take, ReviewsSeptember 18, 2019<December 15, 2020

A Mystery & Charm that Only Strengthens with Age: A Conversation with Blood Cultures

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Recent Posts

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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