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Adrian Vargas

Adrian Vargas

Adrian is a 2017 Florida State University graduate where he focused on editing, writing, and media. He is now living in Brooklyn, New York. Adrian works as a digital marketer, but music and all that goes into it continues to be a passion of his. You may find Adrian wandering around the city aimlessly (more than likely lost) or at home watching anime, movies, or reading anything sci-fi related. He can also make a dang good plate of shrimp scampi.

Columns, Music, Today's SongNovember 26, 2019<November 26, 2019

Today’s Song: Andy Shauf Shines on Deceptively Sweet “Try Again”

Music, PremieresNovember 25, 2019<November 25, 2019

Premiere: Mint Julep Shines with Style on New Single “Blinded”

Nick Leng
Columns, Music, Reviews, Today's SongNovember 21, 2019<November 21, 2019

Today’s Song: Nick Leng Captivates on Achingly Beautiful “Lonely Shade of Blue”

Weird Milk
Editorials, Music, ReviewsNovember 19, 2019<November 19, 2019

Artist to Watch: Weird Milk Distinguish Themselves as One of UK’s Finest with “Time Machine”

Novemberism - Oliver Spalding
Debut, Interviews, Music, PremieresNovember 13, 2019<November 14, 2019

Album Premiere: Oliver Spalding Mesmerizes on Ethereal Debut ‘Novemberism’

Interviews, Music, Music Videos, PremieresNovember 13, 2019<November 14, 2019

Video Premiere: KaiL Baxley Evokes Grit and Beauty on “Beneath the Bones”

Sorcha Richardson by Cáit Fahey
Debut, Interviews, Music, ReviewsNovember 8, 2019<November 8, 2019

Transitions and the Memories They Bring: A Conversation with Sorcha Richardson

Columns, Music, Today's SongNovember 5, 2019<November 5, 2019

Today’s Song: Elephant Heart Hypnotize with Latest Single “The Thunder”

Columns, Music, Today's SongNovember 1, 2019<November 1, 2019

Today’s Song: Vaundy Breaks Down International Barriers on Captivating “Tokyo Flash”

Music, Music Videos, PremieresOctober 17, 2019<October 29, 2019

Video Premiere: ISEEBLUE Creates Celestial Splendor on “WINDOW”

Half Wolf
Columns, Music, Today's SongOctober 2, 2019<October 2, 2019

Today’s Song: Half Wolf Enchants with Empowering New Single “Cigarette Smoke”

Interviews, Music, ReviewsOctober 1, 2019<October 1, 2019

The Contrasting Narratives of Bleakness & Charm: A Conversation with The Golden Dregs

Desmerelda
Editorials, Music, ReviewsSeptember 30, 2019<September 30, 2019

Editorial: Music Induced Memories with Desmerelda’s “Tango with the Hypnotist”

The Comet Is Coming
Columns, Music, Reviews, Today's SongSeptember 23, 2019<September 20, 2019

Today’s Song: Ethereal Explorations Continue on The Comet Is Coming’s “Lifeforce Part II”

9.4
Features, Interviews, Music, Our Take, ReviewsSeptember 18, 2019<December 15, 2020

A Mystery & Charm that Only Strengthens with Age: A Conversation with Blood Cultures

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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