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Bethan Harper

Bethan Harper

I'm a music-obsessed, guitar-playing Brit who adores writing. I love the moon, Bruce Springsteen and the winter. If you want to find me on a rainy day I'll probably be at the beach.

James Gillespie © 2020
Music, Music Videos, PremieresFebruary 26, 2020<February 25, 2020

Video Premiere: James Gillespie’s “ICFTI” Is Awash in Autumnal Hues & Seductive Visuals

Boardmasters Festival 2020
Festival, Music, PreviewsFebruary 25, 2020<February 25, 2020

Preview: Boardmasters Festival 2020 Lineup Features Musical Giants King of Leon, The 1975 & More

Temporary Love - April Ivy
Music, PremieresFebruary 20, 2020<February 19, 2020

Premiere: April Ivy’s Tender & Seductive Song “Temporary Love”

Hit and Run EP - Larkins
Music, ReviewsFebruary 14, 2020<February 14, 2020

EP Review: Larkins’ ‘Hit and Run’ Is the Perfect Mash-Up of the Old, New, and Unexpected

Circa Waves © 2020
Features, Interviews, MusicJanuary 29, 2020<February 6, 2020

Making Music Videos, Self-Deprecation and the End of the World: An Interview with Circa Waves

Marigold - Pinegrove
Music, ReviewsJanuary 16, 2020<January 17, 2020

Review: Pinegrove Touch on Themes of Isolation & Monotony in 4th Album ‘Marigold’

Larkins
Columns, Music, Today's SongJanuary 15, 2020<January 15, 2020

Today’s Song: Larkins Search for Human Connections During Turbulent Times on New Song “Flood”

John Mayer
Columns, Music, Nostalgia TracksJanuary 10, 2020<January 9, 2020

Nostalgia Tracks: John Mayer’s “Vultures” Is a Truly Timeless Song

Fickle Friends © Bethan Harper
Concerts, Music, ReviewsDecember 11, 2019<December 10, 2019

Live Review: A Night of Perfect Pop with Fickle Friends at The Joiners, Southampton

Will Joseph Cook
Columns, Music, Today's SongDecember 2, 2019<December 2, 2019

Today’s Song: Will Joseph Cook Playfully Addresses Societal Issues in His Single “The Dragon”

Posts pagination
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Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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