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Brianna Corrine

Brianna Corrine

Brianna is a Colorado-based writer, audiophile, and occasional photographer. You can usually find her in a vintage shop continuing to curate a collection of leather jackets and worn records- that is if she isn't at a concert, or somewhere with her nose stuck in a book, or twirling around her bedroom to the croon of Stevie Nicks.

swim school © Rory Barnes
Interviews, MusicNovember 28, 2023<November 28, 2023

“At the end of the day, you’re inspired by people”: A Conversation with Swim School

Phillip Phillips © George Whiddon
Features, Interviews, MusicSeptember 21, 2023<September 21, 2023

Interview with Phillip Phillips: “If you love someone, you’ve got to love them hard.”

Niall Horan © Christian Tierney
Music, ReviewsJuly 11, 2023<July 11, 2023

Review: Niall Horan Puts on an Emotional Performance in Third LP ‘The Show’

Noel Gallagher © Matt Crockett
Music, ReviewsJuly 7, 2023<July 7, 2023

Review: ‘Council Skies’ Is a Soaring Exploration of Talent From Noel Gallagher’s High Flying Birds

swim school "duality" © Rory Barnes
Music, ReviewsJune 7, 2023<June 7, 2023

Review: swim school Offer a Compelling Look at ‘duality’ with New EP

Eloise © Charlotte Patmore
Features, Interviews, MusicApril 14, 2023<April 30, 2023

“I feel bang on path”: Eloise Beams at the Heights She’s Reached on Debut Album, ‘Drunk on a Flight’

U2 © Kurt Iswarienko
Music, ReviewsMarch 22, 2023<April 30, 2023

Surrender to the Music and the Call of U2

girlhouse © Shervin Lainez
Columns, Music, Today's SongMarch 21, 2023<April 30, 2023

Today’s Song: girlhouse’s Lauren Luiz Shares an Intimate Look into Relationships and Proves She’s “worth it”

Daisy Jones & the Six © Pamela Littky
Music, Today's SongMarch 10, 2023<April 30, 2023

Today’s Song: Follow Daisy Jones & The Six Down “The River”

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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