• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Guest Writer

Guest Writer

TATYANA © Bella Howard
Columns, Music, Women's History MonthApril 2, 2022<February 24, 2025

“I just wanna be a hot nerd, is that too much to ask?”: TATYANA on Her Relationship with Technology & Femininity

Agender © Lindsey Byrnes
Columns, Music, Women's History MonthMarch 31, 2022<March 31, 2022

Essay: Agender’s Romy on Creating Sustainable Change within the Feminist Movement Through Solidarity & Empathy for All Women

The Accidentals (L to R): Katie Larson Sav Buist, & Michael Dause
Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022

“Respect is a Well From Which Everyone Can Drink”: The Accidentals’ Sav Buist on Sexism in the Music Industry

Christina Wheeler © Shervin Lainez
Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022

Essay: Christina Wheeler on Intersectionality in the Music Industry & Beyond

LACES © Shari Hoffman
Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022

“Adventures of a Super Weirdo”: LACES’ Jessica Vaughn on Being a Woman in Music

Louien © Julia Marie Naglestad
Columns, Music, Women's History MonthMarch 29, 2022<March 29, 2022

Even Women in the Most Progressive Countries Are Fighting for Equality: Norway’s Live Miranda Solberg Reflects on Women’s History Month

Margot Jezerc © Zian Meng
Columns, Music, Women's History MonthMarch 29, 2022<March 29, 2022

“Radical Acceptance”: Buffalo Rose’s Margot Jezerc on Youth & Womanhood

Secret Emchy Society © Margo Duane
Columns, Music, Women's History MonthMarch 25, 2022<March 25, 2022

“Put Her Name in Your Mouth”: Cindy Emch on the Importance of Recognizing & Honoring Women in Music & Beyond

Susan Cattaneo © Jon Cohan
Columns, Music, Women's History MonthMarch 24, 2022<March 24, 2022

“Too Old to Be an Ingenue, Too Young to Be an Icon”: Susan Cattaneo on the Shame Associated with Ageism in the Music Industry

Spotify Singles - Del Water Gap
Music, ReviewsMarch 23, 2022<March 24, 2022

Del Water Gap Un-“Complicates” Avril in Stripped-Down Spotify Singles

Megan Winsor © 2022
Columns, Music, Women's History MonthMarch 18, 2022<March 18, 2022

Trying Twice As Hard: Megan Winsor on Speaking Up As an Independent Artist in a Male-Driven Music Industry

Liddy Clark © 2022
Columns, Music, Women's History MonthMarch 16, 2022<March 16, 2022

Essay: Singer/Songwriter Liddy Clark on Women’s History Month

Lou Ridley © Bethany Reed
Columns, Music, Women's History MonthMarch 14, 2022<March 14, 2022

“You Can Keep Your Seat at The Table”: Lou Ridley’s Love Letter to the Real Power

The Elephant Trees © 2022
Columns, Music, Women's History MonthMarch 10, 2022<March 10, 2022

Women to the Front: The Elephant Trees’ Martha Phillips on Inclusivity & Creating Spaces in the Music Industry

Casi Joy
Columns, Music, Women's History MonthMarch 8, 2022<March 8, 2022

Essay: Country Singer/Songwriter Casi Joy on Women’s History Month

Posts pagination
1 … 14 15 16 17 18 … 29

Recent Posts

  • Atwood Magazine’s Weekly Roundup: May 15, 2026 May 15, 2026
  • “I Can’t Help Myself, I’m All About You”: Lola Blue Surrenders to the Bright Rush of Young Love on “Heartbeat,” a Dreamy Indie Pop Seduction May 15, 2026
  • Kacey Musgraves Chases Away the Past & Lassos the Future on ‘Middle of Nowhere’ May 15, 2026
  • ‘Please Stop Laughing’: Ray Bull Find Freedom in the Unknown on a Playful, Spirited Indie Pop Album Full of Jokes, Bruises, & Feeling May 15, 2026
  • “You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time May 14, 2026
  • Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life May 14, 2026
  • “Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song May 14, 2026
  • “Plant Your Roots Upon My Tired Bones”: Driftwood Choir’s Ed Prosek Finds Forever Beneath the “Tall Pines” in a Breathtaking Indie Folk Reverie of Fatherhood, Legacy, & Light May 14, 2026
  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services