Columns, Music, Women's History MonthMarch 25, 2022<March 25, 2022 “Put Her Name in Your Mouth”: Cindy Emch on the Importance of Recognizing & Honoring Women in Music & Beyond
Columns, Music, Women's History MonthMarch 24, 2022<March 24, 2022 “Too Old to Be an Ingenue, Too Young to Be an Icon”: Susan Cattaneo on the Shame Associated with Ageism in the Music Industry
Music, ReviewsMarch 23, 2022<March 24, 2022 Del Water Gap Un-“Complicates” Avril in Stripped-Down Spotify Singles
Columns, Music, Women's History MonthMarch 18, 2022<March 18, 2022 Trying Twice As Hard: Megan Winsor on Speaking Up As an Independent Artist in a Male-Driven Music Industry
Columns, Music, Women's History MonthMarch 16, 2022<March 16, 2022 Essay: Singer/Songwriter Liddy Clark on Women’s History Month
Columns, Music, Women's History MonthMarch 14, 2022<March 14, 2022 “You Can Keep Your Seat at The Table”: Lou Ridley’s Love Letter to the Real Power
Columns, Music, Women's History MonthMarch 10, 2022<March 10, 2022 Women to the Front: The Elephant Trees’ Martha Phillips on Inclusivity & Creating Spaces in the Music Industry
Columns, Music, Women's History MonthMarch 8, 2022<March 8, 2022 Essay: Country Singer/Songwriter Casi Joy on Women’s History Month
Music, PremieresDecember 16, 2021<December 16, 2021 Premiere: Steph Green Delivers a Country Noir Tearjerker on “Devotion”
Music, PremieresDecember 1, 2021<November 30, 2021 Hello Lightfoot’s Jessica Louise Dye Owns Her “Shame” in Moody Sophomore Single
Essays, Music, PremieresNovember 24, 2021<November 23, 2021 “Meet Me on the Edge of Our Ruin”: An Essay by Nina June
Music, Music Videos, PremieresNovember 18, 2021<November 18, 2021 Premiere: Glossies’ Erich Tomkinson Summons a Fantasy Romance in “Kinda Wish You’d Call”
Essays, MusicNovember 17, 2021<November 17, 2021 Essay: Arms Akimbo, the Only Band Stupid Enough to Make a TV Show
Essays, MusicNovember 10, 2021<November 10, 2021 Permission to Be: Korean-American Artist SOHMI on Reclaiming Space by Breaking Barriers
Music, ReviewsOctober 7, 2021<October 4, 2021 The Remarkable Inner Experience of Chvrches: A Review of ‘Screen Violence’
For the Love of Music
For the Love of Music
