Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022 Essay: Christina Wheeler on Intersectionality in the Music Industry & Beyond
Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022 “Adventures of a Super Weirdo”: LACES’ Jessica Vaughn on Being a Woman in Music
Columns, Music, Women's History MonthMarch 29, 2022<March 29, 2022 Even Women in the Most Progressive Countries Are Fighting for Equality: Norway’s Live Miranda Solberg Reflects on Women’s History Month
Columns, Music, Women's History MonthMarch 29, 2022<March 29, 2022 “Radical Acceptance”: Buffalo Rose’s Margot Jezerc on Youth & Womanhood
Columns, Music, Women's History MonthMarch 25, 2022<March 25, 2022 “Put Her Name in Your Mouth”: Cindy Emch on the Importance of Recognizing & Honoring Women in Music & Beyond
Columns, Music, Women's History MonthMarch 24, 2022<March 24, 2022 “Too Old to Be an Ingenue, Too Young to Be an Icon”: Susan Cattaneo on the Shame Associated with Ageism in the Music Industry
Music, ReviewsMarch 23, 2022<March 24, 2022 Del Water Gap Un-“Complicates” Avril in Stripped-Down Spotify Singles
Columns, Music, Women's History MonthMarch 18, 2022<March 18, 2022 Trying Twice As Hard: Megan Winsor on Speaking Up As an Independent Artist in a Male-Driven Music Industry
Columns, Music, Women's History MonthMarch 16, 2022<March 16, 2022 Essay: Singer/Songwriter Liddy Clark on Women’s History Month
Columns, Music, Women's History MonthMarch 14, 2022<March 14, 2022 “You Can Keep Your Seat at The Table”: Lou Ridley’s Love Letter to the Real Power
Columns, Music, Women's History MonthMarch 10, 2022<March 10, 2022 Women to the Front: The Elephant Trees’ Martha Phillips on Inclusivity & Creating Spaces in the Music Industry
Columns, Music, Women's History MonthMarch 8, 2022<March 8, 2022 Essay: Country Singer/Songwriter Casi Joy on Women’s History Month
Music, PremieresDecember 16, 2021<December 16, 2021 Premiere: Steph Green Delivers a Country Noir Tearjerker on “Devotion”
Music, PremieresDecember 1, 2021<November 30, 2021 Hello Lightfoot’s Jessica Louise Dye Owns Her “Shame” in Moody Sophomore Single
Essays, Music, PremieresNovember 24, 2021<November 23, 2021 “Meet Me on the Edge of Our Ruin”: An Essay by Nina June
For the Love of Music
For the Love of Music
