• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Guest Writer

Guest Writer

Shayna Steele © Shervin Lainez
Black History Month, Essays, Music, Music Videos, PremieresFebruary 28, 2023<February 28, 2023

“The Bloodline”: An Essay on How Through Trauma, We Somehow Find Joy by Shayna Steele

Dave Okumu & The 7 Generations © Nicolas Premier
Black History Month, Essays, MusicFebruary 27, 2023<February 11, 2025

“Black History & Collaboration”: An Essay by Dave Okumu

Malina Moye © Isaiah Mays
Black History Month, Essays, MusicFebruary 23, 2023<February 23, 2023

“The Fight for Freedom & Equality from Grandma’s Front Porch”: An Essay by Malina Moye

Grant Gordy © Jacob Blickenstaff
Interviews, MusicFebruary 14, 2023<February 14, 2023

Interview: Guitar Extraordinaire Grant Gordy Discusses His Genre-Breaking Album, ‘Peripheral Visions’

Joey Walker © Anna Powell Denton
Essays, MusicOctober 10, 2022<October 10, 2022

“Music Just Isn’t Worth It”: A Farewell Transmission by Joey Walker

Los Saints © Stu Alfano
Columns, Essays, Music, National Hispanic Heritage MonthSeptember 27, 2022<September 27, 2022

“Ties that Bind”: Why Hispanic Heritage Month has Special Meaning for Los Saints

Maria Sanchez © 2022
Columns, Essays, Music, National Hispanic Heritage MonthSeptember 19, 2022<September 27, 2022

“Ponte las Pilas”: Maria Sanchez (Groovy MS) Shares Her Essay for National Hispanic Heritage Month

Motel Radio © Michael Tucker
Features, Interviews, MusicAugust 31, 2022<August 31, 2022

Feature: Coming Full Circle with Motel Radio

Rudy Lyle, The Unsung Hero of the Five-String Banjo - Max Wareham
Books, Music, ReviewsAugust 10, 2022<August 10, 2022

Review: Max Wareham’s Debut Book, “Rudy Lyle: The Unsung Hero of the Five-String Banjo”

FloydFest 2022, Turnpike Troubadours crowd shot © Bob Adamek
Festival, Music, ReviewsAugust 4, 2022<August 5, 2022

FloydFest 2022: Made for These Times

Eric Bolton © Gold House Studios
Columns, Essays, Music, Pride MonthJuly 6, 2022<July 6, 2022

“The Song or the Story?”: A Pride Month Essay by Eric Bolton

Matilda Bond © Maja Löfgren
Columns, Essays, Music, Pride MonthJuly 5, 2022<July 8, 2022

“Art Reflects the World Around the Artist”: A Pride Month Essay by Matilda Bond

Jada Michael © 2022
Columns, Essays, Music, Pride MonthJune 30, 2022<June 30, 2022

“Ready to GO”: A Pride Month Essay by Jada Michael

Agender © Lindsey Byrnes
Columns, Essays, Music, Pride MonthJune 30, 2022<June 30, 2022

“QUEER CORE”: A Pride Month Essay by Agender’s Romy Hoffman

McCall © Haley Minyoung Kreofsky
Columns, Essays, Music, Pride MonthJune 29, 2022<January 20, 2023

“Corporate Pride: Selling Our Identity Back to Us”: A Pride Month Essay by McCall

Posts pagination
1 … 12 13 14 15 16 … 29

Recent Posts

  • Killjoys, Make Some Noise: Diving Deep into My Chemical Romance’s ‘Danger Days’ July 14, 2026
  • Liner Notes: A Pretty Park With Paige O, Toronto’s Ladybug-Stickered Singer/Songwriter July 14, 2026
  • “Where the Water Meets the Sky”: Anne-Claire Makes a Spellbinding Return on “River,” a Lush, Sweeping Portrait of Love and Longing July 14, 2026
  • “You Can Do Whatever You Want”: Ryann Ross on Her Debut EP ‘On the Marsh’ and the Songs You Can’t Recreate July 14, 2026
  • “I’m Just a Tourist From the 51st State”: The Howlers Wake Up from the American Dream on “L.A. Morning” July 13, 2026
  • “There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past July 13, 2026
  • “The Cover Story Stands”: Notes From Under Ground Skewers Music-Industry Nepotism on “Names In Blue,” a Sun-Kissed and Scathing Satire July 13, 2026
  • Finn Wolfhard Thinks Great Art Should Leave Fingerprints July 13, 2026
  • “Kicking the Past in the Teeth”: Loren Berí Reckons With Aging, Nostalgia, and His Own Jadedness on “Dimes Square Is Over,” a Synth-Pop Eulogy for a Fallen Scene July 13, 2026
  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services