• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Guest Writer

Guest Writer

Ollella © Kendall Rock
Essays, Music, Women's History MonthMarch 20, 2023<April 30, 2023

“I’m not going to sleep with you”: An Essay by Ollella for Women’s History Month

Death of a Cloud - Mereki
Essays, Music, Women's History MonthMarch 16, 2023<April 30, 2023

“On Never Allowing ‘Tall Poppy Syndrome’ to Hold a Woman Back”: An Essay by Mereki for Women’s History Month

Sophia Marie © Panav Gududuri
Essays, Music, Women's History MonthMarch 13, 2023<January 21, 2024

“Solo Travel Abroad, the Catalyst for a Music Career”: An Essay by Sophia Marie

On Fire - Sasha Atlas
Essays, Music, Women's History MonthMarch 10, 2023<April 30, 2023

“I’ve Signed Many NDAs, But None Like This”: An Essay by Sasha Atlas on the Finance & Music Industries for Women’s History Month

DMA'S © Kalpesh Lathigra
Features, Interviews, MusicMarch 9, 2023<April 30, 2023

“An Evolution of DMA’S”: Aussie Trio Discuss the Making of New Album, ‘How Many Dreams?’

Svetlana © 2023
Essays, Music, Women's History MonthMarch 8, 2023<April 30, 2023

“Overcoming Mountains as a Woman in Music”: An Essay by Svetlana for International Women’s Day

Shayna Steele © Shervin Lainez
Black History Month, Essays, Music, Music Videos, PremieresFebruary 28, 2023<February 28, 2023

“The Bloodline”: An Essay on How Through Trauma, We Somehow Find Joy by Shayna Steele

Dave Okumu & The 7 Generations © Nicolas Premier
Black History Month, Essays, MusicFebruary 27, 2023<February 11, 2025

“Black History & Collaboration”: An Essay by Dave Okumu

Malina Moye © Isaiah Mays
Black History Month, Essays, MusicFebruary 23, 2023<February 23, 2023

“The Fight for Freedom & Equality from Grandma’s Front Porch”: An Essay by Malina Moye

Grant Gordy © Jacob Blickenstaff
Interviews, MusicFebruary 14, 2023<February 14, 2023

Interview: Guitar Extraordinaire Grant Gordy Discusses His Genre-Breaking Album, ‘Peripheral Visions’

Joey Walker © Anna Powell Denton
Essays, MusicOctober 10, 2022<October 10, 2022

“Music Just Isn’t Worth It”: A Farewell Transmission by Joey Walker

Los Saints © Stu Alfano
Columns, Essays, Music, National Hispanic Heritage MonthSeptember 27, 2022<September 27, 2022

“Ties that Bind”: Why Hispanic Heritage Month has Special Meaning for Los Saints

Maria Sanchez © 2022
Columns, Essays, Music, National Hispanic Heritage MonthSeptember 19, 2022<September 27, 2022

“Ponte las Pilas”: Maria Sanchez (Groovy MS) Shares Her Essay for National Hispanic Heritage Month

Motel Radio © Michael Tucker
Features, Interviews, MusicAugust 31, 2022<August 31, 2022

Feature: Coming Full Circle with Motel Radio

Rudy Lyle, The Unsung Hero of the Five-String Banjo - Max Wareham
Books, Music, ReviewsAugust 10, 2022<August 10, 2022

Review: Max Wareham’s Debut Book, “Rudy Lyle: The Unsung Hero of the Five-String Banjo”

Posts pagination
1 … 12 13 14 15 16 … 30

Recent Posts

  • “The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut October 1, 2026
  • Agitate, Educate, Organize: A Look Back at That Petrol Emotion’s 1987 Single “Big Decision” October 1, 2026
  • No More Forgive and Forget: Sabrina Sterling Takes Justice into Her Own Hands on ‘An American Crime’ October 1, 2026
  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
  • “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band September 30, 2026
  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services