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Jamie Kahn

Jamie Kahn

Jamie Kahn is a Brooklyn-based writer and music journalist whose work has been featured in Huffington Post, The Los Angeles Review, Far Out Magazine, Yes Poetry, Capsule98, X-R-A-Y Literary Magazine, The Spotlong Review, and elsewhere. She serves as the contributing features editor for Epiphany.

Sarah and the Sundays © Miles Ellisor
Concerts, Music, ReviewsApril 9, 2025<April 9, 2025

Live Review: Austin’s Sarah and the Sundays Bring Their Sunshine to NYC

Say Yes To Heaven - Lana Del Rey
Columns, Music, Today's SongMay 31, 2023<May 31, 2023

“Say Yes to Heaven, Say Yes to Me”: A Love Letter to Lana Del Rey’s Magical, Not-So-New Single

Olivia Jean © Erica Salazar
Concerts, Music, ReviewsMay 17, 2023<May 17, 2023

Live Review: Olivia Jean’s ‘Raving Ghost’ Comes to NYC in a Heavy & Sophisticated Performance

The Backseat Lovers © Allyson Lowry
Features, Interviews, MusicNovember 3, 2022<November 2, 2022

Waiting to Spill: Exploring Intention & Emotion with The Backseat Lovers

Gabriels' Jacob Lusk © Melodie McDaniel
Debut, Features, Interviews, MusicOctober 20, 2022<October 23, 2022

Interview: Gabriels Remind Us We’re All Spiritual Beings with ‘Angels & Queens’

Dayglow © Dana Trippe
Features, Interviews, MusicOctober 10, 2022<October 10, 2022

Interview: Dayglow’s New Record ‘People in Motion’ Was Made to Be Heard Live

Dayglow © Dana Trippe
Columns, Music, Today's SongSeptember 20, 2022<September 20, 2022

Today’s Song: Dayglow’s “Then It All Goes Away” Captures an Elusive Recipe of All the Right Feelings

globe - carwash
Columns, Music, Today's SongJune 30, 2022<June 30, 2022

Today’s Song: DIY Darling carwash Breathes Summer Nostalgia into “globe”

Recent Posts

  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
  • A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers May 11, 2026
  • Editor’s Picks 154: Borderline, Fiona-Lee, verygently, Adrian Lyles, Winyah, & Kat Cunning! May 8, 2026
  • Atwood Magazine’s Weekly Roundup: May 8, 2026 May 8, 2026
  • Roundtable Discussion: A Review of BTS’ ‘ARIRANG’ May 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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