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Jamie Kahn

Jamie Kahn

Jamie Kahn is a Brooklyn-based writer and music journalist whose work has been featured in Huffington Post, The Los Angeles Review, Far Out Magazine, Yes Poetry, Capsule98, X-R-A-Y Literary Magazine, The Spotlong Review, and elsewhere. She serves as the contributing features editor for Epiphany.

Sarah and the Sundays © Miles Ellisor
Concerts, Music, ReviewsApril 9, 2025<April 9, 2025

Live Review: Austin’s Sarah and the Sundays Bring Their Sunshine to NYC

Say Yes To Heaven - Lana Del Rey
Columns, Music, Today's SongMay 31, 2023<May 31, 2023

“Say Yes to Heaven, Say Yes to Me”: A Love Letter to Lana Del Rey’s Magical, Not-So-New Single

Olivia Jean © Erica Salazar
Concerts, Music, ReviewsMay 17, 2023<May 17, 2023

Live Review: Olivia Jean’s ‘Raving Ghost’ Comes to NYC in a Heavy & Sophisticated Performance

The Backseat Lovers © Allyson Lowry
Features, Interviews, MusicNovember 3, 2022<November 2, 2022

Waiting to Spill: Exploring Intention & Emotion with The Backseat Lovers

Gabriels' Jacob Lusk © Melodie McDaniel
Debut, Features, Interviews, MusicOctober 20, 2022<October 23, 2022

Interview: Gabriels Remind Us We’re All Spiritual Beings with ‘Angels & Queens’

Dayglow © Dana Trippe
Features, Interviews, MusicOctober 10, 2022<October 10, 2022

Interview: Dayglow’s New Record ‘People in Motion’ Was Made to Be Heard Live

Dayglow © Dana Trippe
Columns, Music, Today's SongSeptember 20, 2022<September 20, 2022

Today’s Song: Dayglow’s “Then It All Goes Away” Captures an Elusive Recipe of All the Right Feelings

globe - carwash
Columns, Music, Today's SongJune 30, 2022<June 30, 2022

Today’s Song: DIY Darling carwash Breathes Summer Nostalgia into “globe”

Recent Posts

  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Music You Should Know
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