• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Luke Pettican

Luke Pettican

Luke Pettican is a Staff Writer at Atwood Magazine and 2019 graduate from the University of Lancaster. Having already lived in both England and America, Luke never seems to stay in one place for long but wherever he is, he always tries to seek out both the best eateries and music. While studying abroad at the University of Iowa, Luke worked as the Director of Public Relations for Scope Productions, working with artists such as Billie Eilish, Portugal. The Man and Coin. The best way to get in touch with Luke is at lukepettican.music@gmail.com

Nightly © Zach Pigg
Music, Music Videos, PremieresJune 23, 2020<June 23, 2020

Premiere: Nightly Find Escapist Fun in Video for ‘you should probably just hang up’

Interviews, MusicJune 5, 2020<August 5, 2020

Interview: JONES Makes an Energizing Return with “Giving It Up”

Hoger
Music, Reviews, This Just InMay 29, 2020<May 29, 2020

This Just In: Hoger Navigates Enigmatic Emotions on “Show Me How to Love”

COIN © Hunter Airheart
Features, Interviews, MusicMay 11, 2020<May 11, 2020

Interview: COIN Let It All Out in Third Album ‘Dreamland’

Frank Turner & Lauran Hibberd Discuss Covers for Others
Interviews, Music, NewsMay 6, 2020<May 6, 2020

Interview: Frank Turner & Lauran Hibberd Discuss Covers for Others & Fundraising for the Frontline

Brother Leo
Features, Interviews, MusicApril 30, 2020<April 30, 2020

Interview: Brother Leo Stuns with a Heavenly “Hallelujah”

Kevin Garrett © 2020
Features, Interviews, MusicApril 28, 2020<April 28, 2020

Interview with Kevin Garrett: Songwriting as a Form of Confrontational Expression

Lauran Hibberd © Emily Marcovecchio
Music, Reviews, This Just InApril 24, 2020<April 24, 2020

This Just In: Lauran Hibberd Radiates with Electrifying Energy in “Old Nudes”

Charlotte - Sody
Debut, Features, Interviews, MusicApril 17, 2020<April 17, 2020

Interview with Sody: Sensational Songwriting with a Personal Edge

Luz © Harvey Pearson
Debut, Music, Reviews, This Just InApril 2, 2020<March 31, 2020

This Just In: Luz Astounds with the Devastatingly Beautiful “i’m lonely”

Grace Gillespie © Sophie Greenidge
Music, PremieresMarch 5, 2020<March 4, 2020

Premiere: Grace Gillespie Bewitches with Raw New Single “Goodbye”

Features, Interviews, MusicMarch 3, 2020<May 15, 2020

On the Path Towards Global Success: A Conversation with JC Stewart

Rose Cousins © Denis Duquette
Music, Music Videos, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Rose Cousins Enthralls with Scenic & Stirring “The Lullaby (My Oldest Love)”

Caity Krone © 2020
Music, This Just InFebruary 14, 2020<February 14, 2020

This Just In: Caity Krone Astounds with “Thank You for the Sunday Paper”

Plested © 2019
Columns, Music, Today's SongFebruary 7, 2020<February 6, 2020

Today’s Song: Plested Returns with the Brilliantly Authentic “Beautiful & Brutal”

Posts pagination
1 2 3 4 … 10

Recent Posts

  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
  • “So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol” December 2, 2025
  • “Bold, Honest, & Alive”: Louie Blue on Crafting the Warm, Moody, Instinct-Driven World of ‘Blood & Bones’ December 2, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services