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Maggie McHale

Maggie McHale

Maggie is a writer for Atwood Magazine, currently living in Philadelphia. She also works as a music manager and cultural liaison via her management company, PBG MGMT. She is heavily involved in the arts and music scene in the City of Brotherly Love, working previously for as a digital marketer for Fame House, a Universal Music Group subsidiary, and as a staff writer for JUMP Magazine. A self-proclaimed “hug enthusiast” and dog lover, Maggie also enjoys fashion, travel, the paranormal, and drinking way too much coffee.

Columns, Music, Today's SongMay 25, 2020<May 25, 2020

Today’s Song: alextbh Fosters Passionate Synergy on “Between”

Music, Reviews, This Just InMay 22, 2020<May 22, 2020

This Just In: DBMK Celebrate Singularity in “Haunted House”

Daði Freyr © 2020
Features, Interviews, MusicMay 12, 2020<May 12, 2020

Interview with Daði Freyr: Spreading Positive Vibes & Making People Dance

BEGINNERS © 2020
Music, Music Videos, PremieresApril 29, 2020<April 28, 2020

Premiere: LA’s BEGINNERS Seek Connections, but “Trust No One”

Dadi Freyr © Baldur Kristjáns
Columns, Music, Today's SongApril 24, 2020<April 24, 2020

Today’s Song: In “Think About Things,” Daði Freyr Illustrates an Irreplaceable Bond

Features, Interviews, MusicApril 6, 2020<April 6, 2020

Interview with Camden Welles: Feeling Understood in the Modern Age

Dan Croll © 2020
Features, Interviews, MusicApril 2, 2020<April 2, 2020

Interview with Dan Croll: Removing the Safety Net and Settling In

The Griswolds © 2020
Features, Interviews, MusicMarch 25, 2020<March 25, 2020

Interview with The Griswolds: Endless Opportunities of Fun and New Directions

Blonder © 2020
Music, Music Videos, PremieresMarch 19, 2020<March 19, 2020

Premiere: Blonder Holds Together an Idea of Love with “Glue”

Debut, Features, Interviews, MusicMarch 13, 2020<March 13, 2020

Ever-Evolving, Figuring Things Out, and Reaching ‘Something Better’: A Conversation with Loose Buttons

RLUMR
Debut, Features, Interviews, MusicFebruary 28, 2020<February 28, 2020

A Conduit for Codifying Honesty: A Conversation with R.LUM.R

The Griswolds
Music, ReviewsFebruary 24, 2020<February 24, 2020

Getting It Right Someday: The Griswolds Return with ‘ALL MY FRIENDS’ EP

Columns, Music, This Just In, Today's SongOctober 31, 2019<October 30, 2019

This Just In: Val Astaire Blows a “Kiss” Goodbye to Self-Doubt

Columns, Music, Today's SongOctober 24, 2019<October 23, 2019

Today’s Song: Elliot Moss Fights Anxieties and Builds a “Barricade”

GINGER - BROCKHAMPTON © 2019 RCA Records
Music, ReviewsSeptember 17, 2019<September 17, 2019

The Maturation from Saturation: BROCKHAMPTON’s Soulful ‘GINGER’ Is a Triumph

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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