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Maggie McHale

Maggie McHale

Maggie is a writer for Atwood Magazine, currently living in Philadelphia. She also works as a music manager and cultural liaison via her management company, PBG MGMT. She is heavily involved in the arts and music scene in the City of Brotherly Love, working previously for as a digital marketer for Fame House, a Universal Music Group subsidiary, and as a staff writer for JUMP Magazine. A self-proclaimed “hug enthusiast” and dog lover, Maggie also enjoys fashion, travel, the paranormal, and drinking way too much coffee.

Bailen © Shervin Lainez
Features, Interviews, MusicMay 29, 2019<July 3, 2019

All About Connecting: A Conversation with BAILEN

IYVES © Lissyelle Laricchia
Interviews, Music, ReviewsMay 3, 2019<May 3, 2019

Interview: IYVES Champions Love and Feels Like “Gold”

Music, Reviews, Today's SongFebruary 1, 2019<February 1, 2019

Today’s Song: Sam Smith and Normani Find Temporary Solace “Dancing With A Stranger”

Film Score
Editorials, MusicJanuary 16, 2019<January 15, 2019

Editorial: The Mastery of Musical Storytelling and How Music Documentaries Influence Artists’ Relevance

Brandon Jenner
Music, Music Videos, PremieresNovember 29, 2018<December 10, 2018

Premiere: Brandon Jenner Strives to Be Better and “Face the World”

Debut, Features, Interviews, Music, PremieresNovember 8, 2018<November 9, 2018

Premiere: spill tab Make Their Enchanting Debut with “When U Call”

Features, Interviews, Music, PremieresOctober 26, 2018<October 25, 2018

Feature: Jackson Harris Traverses New and Old Paths “In The Dark”

PHANGS © 2018
Music, ReviewsSeptember 10, 2018<September 11, 2018

Review: PHANGS Proves ‘N°1 Loves You’ Like He Does

The Band CAMINO © 2018
Features, Interviews, MusicSeptember 7, 2018<September 7, 2018

Normal Guys That Like to Play Rock-Pop Music: A Conversation with The Band CAMINO

LYVES © Alberto Balazs
Music, PremieresAugust 30, 2018<August 30, 2018

Premiere: LYVES and Jalen Santoy Remain Present with “Certain Things”

The Ready Set © 2018
Music, Music Videos, PremieresAugust 29, 2018<August 29, 2018

Premiere: The Ready Set and Call Me Karizma Fuck with “Black Magic”

Music, PremieresAugust 8, 2018<August 8, 2018

Video Premiere: The Tailormade Are Moving Onward with “Crossed My Mind”

Oli Hannaford © 2018
Music, Reviews, This Just InJuly 27, 2018<July 27, 2018

This Just In: Oli Hannaford and Marna Emotionally Try “Considering Both Sides”

Dear to Me - Babyblu still
Music, Music Videos, PremieresJuly 26, 2018<July 26, 2018

Premiere: In “Dear To Me,” Babyblu Finds Love and Lives in the Moment

Features, Interviews, MusicJuly 12, 2018<July 12, 2018

Transparent Feeling in True Form: A Conversation with Spirit Haus

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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