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Marissa DeLeon

Marissa DeLeon

Marissa is a writer based in Austin, Texas. She is also a graduate of the University of Texas, where she received her Bachelor of Journalism. She can often be found making extremely specific playlists, overanalyzing lyrics, or subjecting anyone and everyone to her latest sonic obsession before they hit the mainstream.

Allie X © Marcus Cooper
Features, Interviews, MusicFebruary 23, 2024<February 23, 2024

Feature: The Return, Rebirth, and Resurrection of Allie X

S. L. Houser © Rae Mascardo
Debut, Interviews, Music, Track-by-TrackDecember 6, 2023<December 6, 2023

Track-by-Track: S. L. Houser Flourishes on Liberating Debut Solo EP ‘Hibiscus’

Chappell Roan © Ryan Clemens
Concerts, Music, ReviewsNovember 13, 2023<November 13, 2023

Live Review: Midwest Princess Chappell Roan Brings Her Slumber Party to the South

Allie X "Black Eye" © Marcus Cooper
Columns, Music, Today's SongNovember 1, 2023<November 1, 2023

“There’s no need to cry”: Allie X Returns With Enticingly Eerie Dark-Pop Single “Black Eye”

Rina Sawayama © Charlotte Rutherford
Concerts, Music, ReviewsOctober 25, 2023<October 25, 2023

Live Review: Rina Sawayama Brings Glam Cowgirl Pop/Rock to the Lone Star State

Primo the Alien © NaStacia Ellis
Features, Interviews, Music, Track-by-TrackOctober 2, 2023<October 2, 2023

Feature: Primo the Alien Traverses a New Sonic Landscape in ‘We All Hate Ourselves Sometimes’

Molly Burch © Tonje Thilesen
Features, Interviews, MusicSeptember 29, 2023<September 29, 2023

Interview: Peering into the Past with Molly Burch on ‘Daydreamer’

Evergreen - PVRIS 8.9
Music, Our Take, ReviewsAugust 22, 2023<August 22, 2023

Our Take: The Metamorphosis of PVRIS and Frontwoman Lynn Gunn on ‘EVERGREEN’

Saturn 17 © 2023
Columns, Music, Today's SongAugust 3, 2023<August 3, 2023

Today’s Song: Getting Drawn into the Orbit of saturn 17 with “magazine”

Sir Woman © Barbara FG
Columns, Music, Today's SongJuly 18, 2023<July 17, 2023

Today’s Song: Sir Woman Has Got It Going on in “I Know Better”

Posts pagination
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Recent Posts

  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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