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Marissa DeLeon

Marissa DeLeon

Marissa is a writer based in Austin, Texas. She is also a graduate of the University of Texas, where she received her Bachelor of Journalism. She can often be found making extremely specific playlists, overanalyzing lyrics, or subjecting anyone and everyone to her latest sonic obsession before they hit the mainstream.

Chappell Roan © Ryan Clemens
Concerts, Music, ReviewsNovember 13, 2023<November 13, 2023

Live Review: Midwest Princess Chappell Roan Brings Her Slumber Party to the South

Allie X "Black Eye" © Marcus Cooper
Columns, Music, Today's SongNovember 1, 2023<November 1, 2023

“There’s no need to cry”: Allie X Returns With Enticingly Eerie Dark-Pop Single “Black Eye”

Rina Sawayama © Charlotte Rutherford
Concerts, Music, ReviewsOctober 25, 2023<October 25, 2023

Live Review: Rina Sawayama Brings Glam Cowgirl Pop/Rock to the Lone Star State

Primo the Alien © NaStacia Ellis
Features, Interviews, Music, Track-by-TrackOctober 2, 2023<October 2, 2023

Feature: Primo the Alien Traverses a New Sonic Landscape in ‘We All Hate Ourselves Sometimes’

Molly Burch © Tonje Thilesen
Features, Interviews, MusicSeptember 29, 2023<September 29, 2023

Interview: Peering into the Past with Molly Burch on ‘Daydreamer’

Evergreen - PVRIS 8.9
Music, Our Take, ReviewsAugust 22, 2023<August 22, 2023

Our Take: The Metamorphosis of PVRIS and Frontwoman Lynn Gunn on ‘EVERGREEN’

Saturn 17 © 2023
Columns, Music, Today's SongAugust 3, 2023<August 3, 2023

Today’s Song: Getting Drawn into the Orbit of saturn 17 with “magazine”

Sir Woman © Barbara FG
Columns, Music, Today's SongJuly 18, 2023<July 17, 2023

Today’s Song: Sir Woman Has Got It Going on in “I Know Better”

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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