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Marissa DeLeon

Marissa DeLeon

Marissa is a writer based in Austin, Texas. She is also a graduate of the University of Texas, where she received her Bachelor of Journalism. She can often be found making extremely specific playlists, overanalyzing lyrics, or subjecting anyone and everyone to her latest sonic obsession before they hit the mainstream.

Chappell Roan © Ryan Clemens
Concerts, Music, ReviewsNovember 13, 2023<November 13, 2023

Live Review: Midwest Princess Chappell Roan Brings Her Slumber Party to the South

Allie X "Black Eye" © Marcus Cooper
Columns, Music, Today's SongNovember 1, 2023<November 1, 2023

“There’s no need to cry”: Allie X Returns With Enticingly Eerie Dark-Pop Single “Black Eye”

Rina Sawayama © Charlotte Rutherford
Concerts, Music, ReviewsOctober 25, 2023<October 25, 2023

Live Review: Rina Sawayama Brings Glam Cowgirl Pop/Rock to the Lone Star State

Primo the Alien © NaStacia Ellis
Features, Interviews, Music, Track-by-TrackOctober 2, 2023<October 2, 2023

Feature: Primo the Alien Traverses a New Sonic Landscape in ‘We All Hate Ourselves Sometimes’

Molly Burch © Tonje Thilesen
Features, Interviews, MusicSeptember 29, 2023<September 29, 2023

Interview: Peering into the Past with Molly Burch on ‘Daydreamer’

Evergreen - PVRIS 8.9
Music, Our Take, ReviewsAugust 22, 2023<August 22, 2023

Our Take: The Metamorphosis of PVRIS and Frontwoman Lynn Gunn on ‘EVERGREEN’

Saturn 17 © 2023
Columns, Music, Today's SongAugust 3, 2023<August 3, 2023

Today’s Song: Getting Drawn into the Orbit of saturn 17 with “magazine”

Sir Woman © Barbara FG
Columns, Music, Today's SongJuly 18, 2023<July 17, 2023

Today’s Song: Sir Woman Has Got It Going on in “I Know Better”

Posts pagination
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Recent Posts

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  • Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” January 31, 2026
  • Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! January 30, 2026
  • “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” January 30, 2026
  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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