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Meredith Nardino

Meredith Nardino

Meredith is a Fordham alum and aspiring entertainment writer, currently working at DoSomething.org. Her interests include iced coffee, record stores, intersectional feminism, and the "Queer Eye" reboot. Wants to be Leslie Knope but is probably April Ludgate.

Wallows Approved Press Photo #8
Columns, Music, Today's SongOctober 7, 2019<February 19, 2021

Today’s Song: Wallows Spin the Soundtrack to Restless Youth on “Just Like a Movie”

Of the Wild © 2019
Music, PremieresSeptember 20, 2019<September 20, 2019

Premiere: Of The Wild Start Down the Path to Self-Discovery on “Heartbreaker”

7.4
Debut, Music, Our Take, ReviewsAugust 29, 2019<December 15, 2020

Our Take: Red Hearse Debut Their Genre-Defying Self-Titled Record

Red Hearse
Columns, Music, Today's SongAugust 12, 2019<August 12, 2019

Today’s Song: “Half Love” Proves Red Hearse Is a Match Made in Supergroup Heaven

Quarry
Columns, Music, Today's SongAugust 8, 2019<August 8, 2019

Today’s Song: Quarry Breaks Boundaries on “No Ordinary Love”

False Alarm - Two Door Cinema Club
Music, Our Take, ReviewsJune 27, 2019<December 15, 2020

Review: Two Door Cinema Club Reach New Heights on ‘False Alarm’

Doom Days, Bastille's third album, will release June 14, 2019 via Virgin Records 7.9
Music, Our Take, ReviewsJune 14, 2019<December 15, 2020

Our Take: Bastille Dissect the Anxiety and Euphoria of Modern Life on ‘Doom Days’

Tei Shi © Cara Stricker
Columns, Music, Today's SongJune 13, 2019<June 13, 2019

Today’s Song: Tei Shi Learns to Trust Her Gut on “A Kiss Goodbye”

Dayla © Camille Luciani
Columns, Debut, Music, Today's SongApril 19, 2019<April 18, 2019

Today’s Song: Dive Headfirst into DAYLA’s Dreamy Debut “Closer”

I'm Set by Baby Boys
Debut, Music, ReviewsFebruary 28, 2019<February 28, 2019

EP Review: Baby Boys Reinvent the Creative Process on Debut EP ‘I’m Set’

Pale Waves © 2018
Debut, Music, ReviewsNovember 20, 2018<November 20, 2018

Review: On Pale Waves’ ‘My Mind Makes Noises,’ Nostalgia and Romance Burn Bright

Maggie Rogers © Olivia Bee
Columns, Music, Today's SongOctober 11, 2018<October 26, 2018

Today’s Song: Vulnerability, Gratitude, and Change Inspire Maggie Rogers’ “Light On”

Hippo Campus © Pooneh Ghana
Features, Music, ReviewsAugust 24, 2018<October 9, 2018

Review: Hippo Campus Explore New Horizons on “Passenger” and “Bambi”

Recent Posts

  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
  • “Looking for the Light in Dark Places”: Dublin’s Big Sleep Embrace Life’s Holy Shows Through Beautifully Unruly Indie Rock September 8, 2026
  • Editor’s Picks 166: Kareen Lomax, Oskar Haag, Gang of Youths, Babehoven, Cavetown, & Hannah Cole! September 7, 2026
  • “Got Myself My Mojo Back”: Oh Pray Tell Summon Protection and Ancestral Memory on “Poor Black Woman Blues” September 7, 2026
  • OLIWIA MOON Blurs the Line Between Sleep and Reality on “Lucid Dream” September 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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