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Meredith Nardino

Meredith Nardino

Meredith is a Fordham alum and aspiring entertainment writer, currently working at DoSomething.org. Her interests include iced coffee, record stores, intersectional feminism, and the "Queer Eye" reboot. Wants to be Leslie Knope but is probably April Ludgate.

Wallows Approved Press Photo #8
Columns, Music, Today's SongOctober 7, 2019<February 19, 2021

Today’s Song: Wallows Spin the Soundtrack to Restless Youth on “Just Like a Movie”

Of the Wild © 2019
Music, PremieresSeptember 20, 2019<September 20, 2019

Premiere: Of The Wild Start Down the Path to Self-Discovery on “Heartbreaker”

7.4
Debut, Music, Our Take, ReviewsAugust 29, 2019<December 15, 2020

Our Take: Red Hearse Debut Their Genre-Defying Self-Titled Record

Red Hearse
Columns, Music, Today's SongAugust 12, 2019<August 12, 2019

Today’s Song: “Half Love” Proves Red Hearse Is a Match Made in Supergroup Heaven

Quarry
Columns, Music, Today's SongAugust 8, 2019<August 8, 2019

Today’s Song: Quarry Breaks Boundaries on “No Ordinary Love”

False Alarm - Two Door Cinema Club
Music, Our Take, ReviewsJune 27, 2019<December 15, 2020

Review: Two Door Cinema Club Reach New Heights on ‘False Alarm’

Doom Days, Bastille's third album, will release June 14, 2019 via Virgin Records 7.9
Music, Our Take, ReviewsJune 14, 2019<December 15, 2020

Our Take: Bastille Dissect the Anxiety and Euphoria of Modern Life on ‘Doom Days’

Tei Shi © Cara Stricker
Columns, Music, Today's SongJune 13, 2019<June 13, 2019

Today’s Song: Tei Shi Learns to Trust Her Gut on “A Kiss Goodbye”

Dayla © Camille Luciani
Columns, Debut, Music, Today's SongApril 19, 2019<April 18, 2019

Today’s Song: Dive Headfirst into DAYLA’s Dreamy Debut “Closer”

I'm Set by Baby Boys
Debut, Music, ReviewsFebruary 28, 2019<February 28, 2019

EP Review: Baby Boys Reinvent the Creative Process on Debut EP ‘I’m Set’

Pale Waves © 2018
Debut, Music, ReviewsNovember 20, 2018<November 20, 2018

Review: On Pale Waves’ ‘My Mind Makes Noises,’ Nostalgia and Romance Burn Bright

Maggie Rogers © Olivia Bee
Columns, Music, Today's SongOctober 11, 2018<October 26, 2018

Today’s Song: Vulnerability, Gratitude, and Change Inspire Maggie Rogers’ “Light On”

Hippo Campus © Pooneh Ghana
Features, Music, ReviewsAugust 24, 2018<October 9, 2018

Review: Hippo Campus Explore New Horizons on “Passenger” and “Bambi”

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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