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Meredith Nardino

Meredith Nardino

Meredith is a Fordham alum and aspiring entertainment writer, currently working at DoSomething.org. Her interests include iced coffee, record stores, intersectional feminism, and the "Queer Eye" reboot. Wants to be Leslie Knope but is probably April Ludgate.

Wallows Approved Press Photo #8
Columns, Music, Today's SongOctober 7, 2019<February 19, 2021

Today’s Song: Wallows Spin the Soundtrack to Restless Youth on “Just Like a Movie”

Of the Wild © 2019
Music, PremieresSeptember 20, 2019<September 20, 2019

Premiere: Of The Wild Start Down the Path to Self-Discovery on “Heartbreaker”

7.4
Debut, Music, Our Take, ReviewsAugust 29, 2019<December 15, 2020

Our Take: Red Hearse Debut Their Genre-Defying Self-Titled Record

Red Hearse
Columns, Music, Today's SongAugust 12, 2019<August 12, 2019

Today’s Song: “Half Love” Proves Red Hearse Is a Match Made in Supergroup Heaven

Quarry
Columns, Music, Today's SongAugust 8, 2019<August 8, 2019

Today’s Song: Quarry Breaks Boundaries on “No Ordinary Love”

False Alarm - Two Door Cinema Club
Music, Our Take, ReviewsJune 27, 2019<December 15, 2020

Review: Two Door Cinema Club Reach New Heights on ‘False Alarm’

Doom Days, Bastille's third album, will release June 14, 2019 via Virgin Records 7.9
Music, Our Take, ReviewsJune 14, 2019<December 15, 2020

Our Take: Bastille Dissect the Anxiety and Euphoria of Modern Life on ‘Doom Days’

Tei Shi © Cara Stricker
Columns, Music, Today's SongJune 13, 2019<June 13, 2019

Today’s Song: Tei Shi Learns to Trust Her Gut on “A Kiss Goodbye”

Dayla © Camille Luciani
Columns, Debut, Music, Today's SongApril 19, 2019<April 18, 2019

Today’s Song: Dive Headfirst into DAYLA’s Dreamy Debut “Closer”

I'm Set by Baby Boys
Debut, Music, ReviewsFebruary 28, 2019<February 28, 2019

EP Review: Baby Boys Reinvent the Creative Process on Debut EP ‘I’m Set’

Pale Waves © 2018
Debut, Music, ReviewsNovember 20, 2018<November 20, 2018

Review: On Pale Waves’ ‘My Mind Makes Noises,’ Nostalgia and Romance Burn Bright

Maggie Rogers © Olivia Bee
Columns, Music, Today's SongOctober 11, 2018<October 26, 2018

Today’s Song: Vulnerability, Gratitude, and Change Inspire Maggie Rogers’ “Light On”

Hippo Campus © Pooneh Ghana
Features, Music, ReviewsAugust 24, 2018<October 9, 2018

Review: Hippo Campus Explore New Horizons on “Passenger” and “Bambi”

Recent Posts

  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
  • Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ September 29, 2026
  • “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” September 28, 2026
  • “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything September 28, 2026
  • “My Last Breath Would Be a Poem for You”: Peter Stone Finds the Sacred in Everyday Love on “Dust Motes,” a Sun-Soaked Indie Folk Reverie September 28, 2026
  • Atwood Magazine’s Weekly Roundup: September 25, 2026 September 25, 2026
  • “You Can’t Scrub Women From History”: Lindsay Lou Puts Women Back in the Bluegrass Circle with ‘Bluegrass Women’ September 25, 2026
  • “Showing Up Doesn’t Always Look Heroic”: Clever Hopes Makes Space for Grief & Love on the Tenderly Radiant “Fumbled Dreams” ft. Jenn Grant September 25, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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