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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Walter Martin © Melissa Martin
Columns, Music, Today's SongMarch 31, 2022<March 31, 2022

Walter Martin’s Heartfelt “The Bear” Is an Autobiographical Song of Myth, Mystery, and Hope

Bestfriend © Mackenzie Walker
Music, PremieresMarch 29, 2022<March 30, 2022

Premiere: Bestfriend’s Beautifully Warm & Wistful Summer Song, “Someplace Else”

Jack Van Cleaf © Jacob Ruth
Debut, Features, Music, Premieres, Track-by-TrackMarch 29, 2022<March 30, 2022

“Colorful, Nostalgic, & Spacious”: Jack Van Cleaf Premieres His Radiantly Raw Debut Album, ‘Fruit from the Trees’

lostboy © 2022
Columns, Music, Today's SongMarch 28, 2022<March 28, 2022

Today’s Song: Sheffield’s lostboy Ditch the “Weight” in Soaring & Cinematic Anthem

'Lessons From Earth Part 1' - Sonia Stein
Features, Music, Reviews, Track-by-TrackMarch 25, 2022<March 31, 2022

Track-By-Track: Sonia Stein Dives into Her “Spiritual, Grooving, & Blooming” ‘Lessons From Earth, Pt. 1’

elkyn © Stewart Baxter
Debut, Features, Music, Reviews, Track-by-TrackMarch 25, 2022<April 3, 2022

“Hopeful, Sad, & Reminiscent”: Inside the Warm Wonder of elkyn’s Debut Album ‘holy spirit social club’

Carter Vail © 2022
Columns, Music, Today's SongMarch 25, 2022<March 25, 2022

Today’s Song: Carter Vail Soars on Sun-Soaked & Sweetly Seductive “Nancy Again”

Arctic Lake © Scarlett Casciello
Features, Music, Reviews, Track-by-TrackMarch 24, 2022<May 9, 2022

Longing for Connection: Arctic Lake Dive into Their Stunningly Intimate ‘side by side we lie awake’ EP

Daddy's Little Lawyer - KTJ & CARLY © 2022
Columns, Music, Today's SongMarch 24, 2022<March 24, 2022

Today’s Song: KTJ & CARLY Tackle Entitlement in Empowering Anthem “Daddy’s Little Lawyer”

Euan Blackman © Olivia Mayall
Music, PremieresMarch 24, 2022<March 24, 2022

Premiere: Liverpool’s Euan Blackman Channels Anxiety-Fueled Nights in New Song “I’m Not Scared”

Little Quirks © Adam Toole
Columns, Music, Today's SongMarch 23, 2022<March 23, 2022

Today’s Song: Little Quirks’ “The Rain” Is an Exhilarating Chant of Freedom & Joy

Benji Lewis © Sean Pyke
Music, PremieresMarch 23, 2022<March 23, 2022

Premiere: Benji Lewis Dives Inside His Beautifully Intimate & Vulnerable “Head Rush”

RAHH © JC Verona
Music, PremieresMarch 23, 2022<March 23, 2022

Premiere: RAHH’s Feverish “Run the Lights” Is an Intoxicating Song of Indulgence & Escape

Little Boots © 2022
Features, Music, Reviews, Track-by-TrackMarch 18, 2022<March 18, 2022

“DIY Disco Pop”: Little Boots Dives Inside Her Groovy & Glistening 4th LP ‘Tomorrow’s Yesterdays’

Ken Yates © Jen Squires
Columns, Music, Today's SongMarch 18, 2022<March 18, 2022

Today’s Song: Ken Yates’ Soothing & Stirring Apocalyptic Lullaby “The Big One”

Posts pagination
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Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
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  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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