• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Phebe Starr © 2022
Debut, Interviews, Music, PremieresMarch 10, 2022<March 11, 2022

“Transcending pain into something beautiful”: Phebe Starr Shines Raw & Radiant on Debut Album ‘Heavy Metal Flower Petal’

Jay Johnson © Diego Martinez
Music, PremieresMarch 10, 2022<March 10, 2022

Premiere: Jay Johnson’s Smooth & Soulful “Enough to Eat” Is a Heartfelt Musical Scrapbook

Jacob Aedam © 2022
Columns, Music, Today's SongMarch 9, 2022<March 9, 2022

Today’s Song: Jacob Aedam & Yung Shōgun Break Out in Psychedelic Spaghetti Western “South Boulevard”

Adria Kain © Kiylana Dickens-Ling
Debut, Features, Music, Reviews, Track-by-TrackMarch 9, 2022<March 15, 2022

“Emotional, Impactful, & Honest”: Toronto’s Adria Kain Shares Her Soulful & Stunning Debut Album ‘When Flowers Bloom’

Jack Carty © Natasha Saba
Music, Premieres, Track-by-TrackMarch 9, 2022<June 13, 2022

“My Whole Heart”: Jack Carty Shines Like the Sun on ‘Wake to a Bright Morning’, His Intimate & Radiant 6th LP

ANIQO © Matthias Pfeiffer
Columns, Music, Today's SongMarch 8, 2022<March 8, 2022

Today’s Song: ANIQO’s Visceral “Vivre Libre” Basks in a Hard-Won Sense of Freedom & Redemption

For You - RVHEEM
Music, PremieresMarch 8, 2022<March 8, 2022

Premiere: Liverpool’s RVHEEM Embraces Vulnerability in Achingly Intimate “For You”

Clea Anais © Heather Saitz
Columns, Music, Today's SongMarch 7, 2022<March 7, 2022

Today’s Song: Clea Anaïs Explores Grief & Love in Beautifully Bittersweet “Stars Still Dying”

Rona Mac © 2022
Features, Music, Reviews, Track-by-TrackMarch 4, 2022<March 9, 2022

“Deep, Raw, & Rural”: Inside Rona Mac’s Intimately Enchanting ‘Shades of Ham’ EP

Noah Reid © Dane Clark
Columns, Music, Today's SongMarch 4, 2022<March 4, 2022

Today’s Song: Noah Reid’s Dreamy “Everyday” Dwells in Raw Moments of Instability & Imbalance

Peach Luffe Beyond
Features, Music, Reviews, Track-by-TrackMarch 3, 2022<March 3, 2022

Track-by-Track: Peach Luffe Breaks Down His Intimately Sun-Soaked ‘Beyond’ EP

Thehiz © 2022
Columns, Debut, Music, Today's SongMarch 3, 2022<March 3, 2022

Today’s Song: Thehiz Debuts with Epic Underdog Anthem “SUBMARINE”

Atwood Magazine's Editor's Picks 56
Columns, Editor's Picks, Features, MusicMarch 3, 2022<September 29, 2022

Editor’s Picks 56: Primer, Monica Martin, Dehd, Riley Pearce, Blossoms, & GOON

BAYEM © Lissyelle
Features, Music, Reviews, Track-by-TrackMarch 2, 2022<March 2, 2022

“Post-Heartbreak Music”: BAYEM Basks in a Bold & Buoyant ‘AFTERGLOW’ on Debut EP

Wild Rivers © Samuel Kojo
Features, Music, Reviews, Track-by-TrackMarch 2, 2022<May 28, 2022

“Everything in Between”: Inside Wild Rivers’ Radiant & Stunning Sophomore LP ‘Sidelines’

Posts pagination
1 … 99 100 101 102 103 … 291

Recent Posts

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services