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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

MOTORCADE (L-R): Jeff Ryan, James Henderson, Andrew Huffstetler, John Dufilho © Jerome Brock
Columns, Music, Today's SongJune 3, 2022<June 3, 2022

Today’s Song: Post-Punk Is Alive & Well in MOTORCADE’s Dreamy, Driving “Slip”

Personal Space © Tom Bell
Music, Premieres, ReviewsJune 2, 2022<June 2, 2022

EP Premiere: Personal Space’s Angular, Restless, & Radiant ‘Still Life’ EP

The Degrees © Chelone Wolf
Music, PremieresJune 2, 2022<June 2, 2022

Premiere: Bristol’s The Degrees Light a Burning Fire in Smoldering & Soulful “Nothing Else”

Atwood Magazine's Editor's Picks 65
Columns, Editor's Picks, Features, MusicJune 2, 2022<September 29, 2022

Editor’s Picks 65: Chateau Chateau, Sky Ferreira, Sorcha Richardson, Jungle, Ruby Gill, & Sarah Kinsley!

JayWood © Tonje Thilesen
Columns, Music, Today's SongJune 1, 2022<June 1, 2022

Today’s Song: JayWood’s Soaring & Seductive “Just Sayin” (ft. Ami Cheon) Is an Inspiring Equal Opportunity Anthem

Caleb Nichols "Jerome" music video still
Music, PremieresJune 1, 2022<June 1, 2022

Premiere: Mean Mr. Mustard Comes to Life As a Queer Icon in Caleb Nichols’ Campy Romp “Jerome”

"Rich Kids" music video still - Aiyana-Lee
Artist to Watch, Music, Music Videos, PremieresJune 1, 2022<June 1, 2022

Artist-to-Watch: Aiyana-Lee Lights a Fire with Inspiring & Spirited “Rich Kids” Music Video

Ainsley Farrell © Ian Farrell
Music, PremieresMay 31, 2022<May 31, 2022

Premiere: Empathy & Understanding in Ainsley Farrell’s Stunning Return, “The Way Back”

Waxflower © Mitch Lowe
Music, Music Videos, PremieresMay 31, 2022<May 31, 2022

Video Premiere: Aussie Pop Punks Waxflower’s Achingly Intense Star-Crossed Anthem, “Misaligned Love” ft. Sydney Sprague

George Gretton © 2022
Music, PremieresMay 31, 2022<May 31, 2022

Premiere: The Moody, Woozy Cabin Fever of George Gretton’s “Morning” ft. theMIND

Fergus © Matthew Thorne
Debut, Features, Interviews, Music, Track-by-TrackMay 27, 2022<May 27, 2022

‘Love Upside Down’ (and Inside Out): Fergus Dives into His Stunningly Beautiful Debut Album

Sophomore Slump - Daisy Grenade
Features, Interviews, Music, Track-by-TrackMay 26, 2022<June 5, 2022

(Don’t Call It a) ‘Sophomore Slump’: Brooklyn’s Daisy Grenade Shine on Glittery, Raw, & Cheeky Debut EP

Michelle Willis © Dave Goddard
Features, Interviews, Music, Track-by-TrackMay 26, 2022<May 26, 2022

Just One Voice: Inside Michelle Willis’ Cathartic, Groovy, & Triumphant Sophomore Album

Atwood Magazine's Editor's Picks 64
Columns, Editor's Picks, Features, MusicMay 25, 2022<September 29, 2022

Editor’s Picks 64: Mega, bLAck pARty, Florist, G Flip, Johnny Hunter, & Bobbing x Maddie Jay!

Bathe Alone © Nic Huey
Music, Music Videos, PremieresMay 25, 2022<May 25, 2022

Premiere: Bathe Alone’s Urgent & Inspiring “Animals & Trees” Is an Impassioned Dream Pop Upheaval

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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