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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Jared Lindbloom © Marcus Middleton
Music, PremieresFebruary 22, 2022<April 13, 2022

Premiere: Pink Honey Moan’s Dynamic “Make Believe” Is a Song of Truth, Layers, & Understanding

Weatherstate © 2022
Features, Music, Reviews, Track-by-TrackFebruary 18, 2022<February 18, 2022

“Chaotic, Apathetic, & Melodic”: Weatherstate Take Us Through the Fervor of New Album ‘Never Better’

B-Drop
Music, PremieresFebruary 18, 2022<February 18, 2022

Premiere: B-Drop Worldwide Showcases LA’s Not From England

Samm Henshaw © Chad McLean
Debut, Features, Interviews, MusicFebruary 18, 2022<February 17, 2022

Interview: Samm Henshaw’s ‘Untidy Soul’ Is a Timeless Classic with a Modern Touch

JEVERSON © KT Wolf
Columns, Music, Today's SongFebruary 18, 2022<February 18, 2022

Today’s Song: JEVERSON Embraces Life’s Good Times on Beachy, Sun-Soaked “Somethin’ in the Water”

Abantu / Before Humans - BLK JKS
Interviews, Music, ReviewsFebruary 17, 2022<February 21, 2022

“Raw, Otherworldly, & Surprising”: South Africa’s BLK JKS Roar on ‘Abantu / Before Humans’, a Singular Second Album

Plàsi 'Foreign Sea' © Amanda Gylling
Features, Music, Reviews, Track-by-TrackFebruary 17, 2022<February 17, 2022

“Dream Away from Daily Life”: Inside Plàsi’s Sweetly Stirring Sophomore Album ‘Foreign Sea’

Manuel the Band © Cesar Sanchez
Features, Music, Reviews, Track-by-TrackFebruary 16, 2022<February 16, 2022

“Eclectic, but Relatable”: Inside Manuel the Band’s Sun-Kissed Sophomore LP ‘Things That Can’t Be Seen’

The Last Broadcast © Victoria Dalston
Columns, Debut, Music, Today's SongFebruary 16, 2022<February 16, 2022

Coventry’s The Last Broadcast Debut with Stirring “Daisy,” a Beautifully Vulnerable Song of Trauma, Forgiveness, & Hope

Mild Orange © Kenzie Pigman
Features, Music, Reviews, Track-by-TrackFebruary 15, 2022<February 15, 2022

“Looking for Space”: New Zealand’s Mild Orange Revel in Life’s Depths on Warm & Wondrous Third LP

Sara-Danielle © Gaelle Leroyer
Music, PremieresFebruary 15, 2022<February 15, 2022

Premiere: Montreal’s Sara Danielle Aches & Shakes on Dreamy New Single “Away from You”

Coyle Girelli © Shervin Lainez
Music, Music Videos, PremieresFebruary 15, 2022<February 15, 2022

Premiere: Coyle Girelli’s Indulgent Anthem “Do You Wanna Dance?” Proves an Passionate Cut Off ‘Funland’

Beau © Tara Gallagher
Features, Music, Reviews, Track-by-TrackFebruary 15, 2022<February 14, 2022

Track-by-Track: NYC’s Beau Radiate Raw Emotion on Stunning EP ‘Forever’

Atwood Magazine's Editor's Picks 55
Columns, Editor's Picks, Features, MusicFebruary 11, 2022<February 11, 2022

Editor’s Picks 55: Arlie, Selah Sue, Orion Sun, Sports, ginla, & Call Me Loop

B-Drop
Features, Music, PremieresFebruary 11, 2022<February 14, 2022

Premiere: B-Drop Worldwide Showcases LA’s Mehro

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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