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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Debut, Features, Interviews, MusicJanuary 18, 2023<March 11, 2023

Empowerment, Liberation, & Self-Acceptance: How Charli Adams Hit the ‘Bullseye’ While Learning to Live Unapologetically

Hazlett "Bloom Mountain" © Olof Grind
Debut, Features, Interviews, Music, Track-by-TrackJanuary 18, 2023<January 18, 2023

“Warm, Hope, & Wonder”: Hazlett Soars to Stirring Heights on ‘Bloom Mountain,’ a Beautifully Intimate Debut

Upstate © Bridget Badore • @bridgetbadore • www.bridgetbadore.com
Music, PremieresJanuary 17, 2023<January 17, 2023

Premiere: Hudson Valley Band Upstate Invite Us to “Befriend” the Enemy on Smoldering New Song

The Horn 'Do It Now' © 2022
Features, Interviews, Music, Track-by-TrackJanuary 13, 2023<January 13, 2023

“Welcome to the Power Show”: The Horn ‘Do It Now’ (and Do It Well) on Catchy, Punchy, & Unapologetic Debut

Jessie Reid © Emilie Cotterill
Music, PremieresJanuary 13, 2023<January 13, 2023

Premiere: Jessie Reid Brings Us “A Little Closer” with Achingly Intimate & Breathtakingly Beautiful New Single

Good Karma - J French
Features, Interviews, Music, Track-by-TrackJanuary 12, 2023<March 2, 2025

“These are not just songs; these are mantras.”: J French Finds His Light in Uplifting, Hopeful, & Soulful ‘Good Karma’ LP

High Tea © Robin Siddall
Debut, Interviews, Music, Reviews, Track-by-TrackJanuary 12, 2023<January 12, 2023

Track-by-Track: The Simple Untamed Wanderlust of High Tea’s ‘Old Cowboy’

Flipturn © Amanda Laferriere
Debut, Features, Interviews, Music, Track-by-TrackJanuary 11, 2023<January 12, 2023

“Shimmery, Gritty, & Reflective”: The Weight & Warmth of flipturn’s Soul-Stirring Debut Album ‘Shadowglow’

Atwood Magazine's Editor's Picks 83
Columns, Editor's Picks, Features, MusicJanuary 9, 2023<March 11, 2023

Editor’s Picks 83: Kids That Fly, Gordi, Brian Dunne, OTNES, Tommy Ashby, & Maya Delilah!

Ester's Anna Holmquist © Ash Dye
Columns, Music, Today's SongJanuary 9, 2023<August 28, 2023

The Lonely, Heavy Weight of Ester’s Lockdown Song, “Red Rover”

LIFE © Luke Hallett
Features, Interviews, Music, Track-by-TrackJanuary 7, 2023<March 11, 2023

Feature: LIFE’s Intimate, Expansive, & Brooding ‘North East Coastal Town’ Is a Post-Punk Love Letter Home

SPIN - OTNES
Artist to Watch, Debut, Interviews, MusicDecember 20, 2022<April 26, 2023

Artist to Watch: OTNES Grieves & Glistens on Dreamy, Dazzling Debut Single “SPIN”

Crowder's Milk & Cookies: A Merry Crowder Christmas © Mary Caroline Russell 5a
Features, Interviews, Mistletones, MusicDecember 16, 2022<December 16, 2022

Interview: Crowder Gets into the Holiday Spirit with Festive, Faithful, & Funny Christmas Album, ‘Milk & Cookies: A Merry Crowder Christmas’

The Prescriptions © Noah Tidmore
MusicDecember 12, 2022<December 12, 2022

Enjoy Some ‘Time Apart’: The Prescriptions Soar with Heartland Passion & Honest Charm on Intimate, Smoldering Sophomore LP

Atwood Magazine's Editor's Picks 82
Columns, Editor's Picks, Features, MusicDecember 9, 2022<March 11, 2023

Editor’s Picks 82: Ethel Cain, Christian Kuria, Sable, Kathleen, The Greeting Committee, & Blitz Vega!

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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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