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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Zach Kleisinger © Stephanie Lynch
Music, ReviewsDecember 2, 2021<December 2, 2021

The Intimate Beauty of Singer/Songwriter Zach Kleisinger’s “Dance for a While” & Debut Album ‘Their Symposium’

Cold Weather Company © Jeremy Berkowitz
Features, Music, Reviews, Track-by-TrackDecember 1, 2021<December 7, 2021

“Parts Becoming Whole”: Inside Cold Weather Company’s Cinematic & Wondrous 4th Album ‘Coalescence’

Taloula © Alexadra Waespi
Columns, Music, Today's SongDecember 1, 2021<December 1, 2021

Today’s Song: Taloula’s Tender “Find My Way” Is an Achingly Intimate Eruption

Maxwell Planes © 2021
Music, PremieresDecember 1, 2021<December 1, 2021

Premiere: Chicago’s Maxwell Planes Smolders on “Gave My Everything” ft. Melanie Faye & Ric Wilson

Theodore © 2021
Music, PremieresDecember 1, 2021<December 1, 2021

Premiere: Theodore Debuts Urgent, Hypnotic, & Cinematic Single “Man and His Tools” Off 4th Album ‘The Voyage’

Kenneth Ishak © Julia Naglestad
Features, Music, Reviews, Track-by-TrackNovember 30, 2021<December 1, 2021

“Positive, Specific, & Green”: Norway’s Kenneth Ishak Blooms in Dazzling ‘Native Tongue’

Francis Karel © Brittany O'Brien
Columns, Music, Today's SongNovember 30, 2021<November 30, 2021

Today’s Song: Love Hits Like a Wrecking Ball in Francis Karel’s “I Don’t Like How Much I Like You”

Mother Mother © Rich Smith
Features, Music, Reviews, Track-by-TrackNovember 29, 2021<December 7, 2021

“Introspective, Human, & Hopeful”: Mother Mother Dive ‘INSIDE’ Their Intimate, Raw 8th Album

Babe Club © Taylor Czerwinski
Columns, Music, Today's SongNovember 29, 2021<November 29, 2021

“It makes me feel alive”: Babe Club Reckon with Adulthood-Induced Depression in “That Feeling”

Momma © Cooper Winterson
Music, ReviewsNovember 24, 2021<November 29, 2021

Love’s a Drug: Momma’s “Medicine” Is a Grunge-Fueled Song of Intimate Addiction

M.anifest © 2021
(archived), Features, Music, Reviews, Track-by-TrackNovember 24, 2021<February 26, 2022

“Reflective, Candid, Journey”: Ghanaian Rapper M.anifest Stuns, Stirs, & Soars on ‘Madina to the Universe’

B-Drop
Features, Music, PremieresNovember 24, 2021<November 26, 2021

Premiere: B-Drop Worldwide Showcases Phantom Isle, The Habits, Roman Lewis, Danny Singh, and Friedberg

777 - Loviet
Debut, Features, Music, Reviews, Track-by-TrackNovember 23, 2021<November 24, 2021

“Nostalgic, Cathartic, & Honest”: Toronto’s Loviet Comes to Life in Dazzling Debut Album, ‘777’

Mattiel © Brandon McClain
Columns, Music, Today's SongNovember 23, 2021<November 23, 2021

Today’s Song: Mattiel Crush Hard on Dreamy (New Single) “Jeff Goldblum”

Look Closely - Hush Forte 9.1
Debut, Features, Music, Our Take, Reviews, Track-by-TrackNovember 22, 2021<March 11, 2023

Feature: South Florida’s Hush Forte Dives Inside His Intimate Coming-of-Age Project ‘Look Closely’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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