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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Tyne-James Organ
Debut, Features, Music, Reviews, Track-by-TrackMay 21, 2021<May 21, 2021

“Emotional, Real, & Raw”: Tyne-James Organ Dives into Debut Album ‘Necessary Evil’

Livingmore © Joseph Cultice
Music, Reviews, Track-by-TrackMay 21, 2021<May 21, 2021

Track-by-Track: Dance Your Problems Away with Livingmore’s Sophomore LP ‘Take Me’

Litany © 2021
Artist to Watch, Music, ReviewsMay 20, 2021<May 20, 2021

Litany Tackles Love & Depression in Breathtakingly Bittersweet Song “Cream”

Still Broke - Samm Henshaw
Artist to Watch, Music, ReviewsMay 20, 2021<May 20, 2021

Artist to Watch: Samm Henshaw Radiates with Rich Sounds in “Still Broke” ft. Keyon Harrold

RVRSIDE
Music, Premieres, Track-by-TrackMay 20, 2021<May 20, 2021

“Bold, Quirky, & Dark”: RVRSIDE Channel the Spirit of the ’90s in ‘Bullet with Butterfly Clips’ EP

MAUMAUMAU © Lucila Muriel
Debut, Features, Music, Premieres, Reviews, Track-by-TrackMay 20, 2021<May 20, 2021

“Fun, Vulnerable, & Left-of-Center”: MAUMAUMAU Dives into Soaring Debut EP ‘Meow Meow Meow’

Holly Humberstone © Jordan Curtis-Hughes
Artist to Watch, Music, ReviewsMay 19, 2021<December 30, 2021

Holly Humberstone’s Radiant “The Walls Are Way Too Thin” Reckons with Turmoil & Disarray

Joy Oladokun © Nolan Knight
Artist to Watch, Features, Interviews, MusicMay 19, 2021<October 1, 2021

Bridging the Spiritual and the Physical: A Conversation with Joy Oladokun

Grace Aimi © ARISAK
Columns, Music, Today's SongMay 19, 2021<May 19, 2021

Today’s Song: Grace Aimi Paints a Colorful Confessional in “Rainbow” Off Debut EP ‘PICNIC’

Abby Holliday
Music, PremieresMay 19, 2021<May 19, 2021

Artist to Watch: Abby Holliday Soars in Stunning Second Single “8 Hours”

Laica © Cooper Leith
Music, ReviewsMay 18, 2021<May 18, 2021

Review: LA’s Laica Soars with Radiantly Seductive Songs “Childish” & “Sanctuary”

B[1] - Maya B
Debut, Features, Music, Reviews, Track-by-TrackMay 18, 2021<May 18, 2021

“No. Bull. Sh*t.”: Maya B Goes Track-by-Track Through Her Multidimensional Debut EP, ‘B[1]’

Jake Manzi © Taylor Thompson 9.3
Debut, Features, Music, Our Take, Reviews, Track-by-TrackMay 18, 2021<May 18, 2021

Singer/Songwriter Jake Manzi Spellbinds on Classic Debut Album ‘Whatever My Heart Allows’

GoldenOak © Elizabeth Leclair
Music, PremieresMay 18, 2021<May 18, 2021

Premiere: GoldenOak’s “These Old Shoes” Confronts the Climate Crisis with Wondrous Folk

The Trusted © 2021
Music, ReviewsMay 17, 2021<May 17, 2021

The Trusted’s “Rebel Song” Is a Spirited & Anthemic Uproar

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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