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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Trip Carter © 2021
Music, Reviews, Track-by-TrackJune 7, 2021<June 7, 2021

“West Coast Summer”: Trip Carter Dives into His Sun-Soaked ‘Slim Tripper’ EP

Mia Pixley © David Pettijohn
Music, PremieresJune 7, 2021<June 7, 2021

Premiere: The Sun Shines Through Mia Pixley’s Radiant “In the Daylight”

Superbloom © Maya Lee 10
Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<October 1, 2021

“Hypnotic, Exhaustive, Bliss”: Brooklyn Grunge Band Superbloom Ignite on Stunning Debut ‘Pollen’

Wyldest © 2021
Features, Music, Reviews, Track-by-TrackJune 4, 2021<January 27, 2023

Feature: Wyldest’s Empowering ‘Monthly Friend’ Embraces & Explores the Depths of Womanhood

Lucy Francesca Dron © Finn Mullen
Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<June 4, 2021

“Emotional, Eclectic, & Honest”: Lucy Francesca Dron’s Dynamic Coming-of-Age EP ‘Leftovers’

B-Drop
Features, Music, PremieresJune 4, 2021<June 14, 2021

Premiere: B-Drop Worldwide Showcases Slothrust, The Islas, Velvet Starlings, Opus Kink, Modern Eyes, & The Roves

Hayden Everett © Raymond Alva
Music, Reviews, Track-by-TrackJune 3, 2021<June 3, 2021

Presence, Awe, & Wonder: Hayden Everett Soars on Sophomore EP ‘Kennecott’

Wayne Snow © Kiroubel Beaujour
Columns, Music, Today's SongJune 3, 2021<June 4, 2021

Today’s Song: Wayne Snow’s Smoldering “Seventy” Is an Irresistible, Sultry Seduction

Jesse Markin © Tero Ahonen
Music, PremieresJune 3, 2021<June 3, 2021

Premiere: Jesse Markin Explores Identity & Masculinity in Empowering “Hemostasis” ft. Terrell Hines

"Bound for Glory" film still - The Magic Lantern
Music, Music Videos, PremieresJune 3, 2021<June 3, 2021

Premiere: The Magic Lantern’s Heart-Wrenching “Bound for Glory” Is an Existential, Moving Cinematic Wonder

No Tomorrow EP - Louien
Music, Premieres, Reviews, Track-by-TrackJune 3, 2021<June 3, 2021

“Unpredictable, Deep-Diving, & Honest”: Louien Captivates with Beautiful ‘No Tomorrow’ EP

Rory D'Lasnow © David Ross Lawn
Columns, Music, Today's SongJune 2, 2021<June 2, 2021

Today’s Song: NJ Singer/Songwriter Rory D’Lasnow Rises on Impassioned Reckoning “Power of My Love”

Boyish © Eli Edwards
Music, Reviews, Track-by-TrackJune 2, 2021<June 2, 2021

“Queer Love and Self-Sabotage”: Boyish Dive into Spellbinding Coming-of-Age EP ‘We’re all gonna die, but here’s my contribution’

Love Letter - The Witherbees
Features, Music, Premieres, ReviewsJune 2, 2021<June 2, 2021

“Living Room Intimacy”: Jazz-Folk Band The Witherbees Premiere Their Beautiful Sophomore LP, ‘Love Letter’

burr oak © Ash Dye
MusicJune 2, 2021<June 2, 2021

Premiere: Chicago’s burr oak Soars with Dramatic Fury in “FOMO”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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