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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Jeff Hortillosa © Ishmael Quintanilla
Music, PremieresMay 25, 2021<May 25, 2021

Premiere: Austin’s Jeff Hortillosa Tackles Explores Isolation & Mental Health in “Alone”

Course © Chloe Hamilton
Features, Music, Reviews, Track-by-TrackMay 25, 2021<August 30, 2021

“Dreamy, Joyful, Synthy”: Chicago’s Course Rise with Fresh, Spirited Debut Album ‘A Late Hour’

Lord Huron © Anthony Wilson 2021 10
Features, Interviews, MusicMay 25, 2021<February 7, 2022

Interview: Lord Huron Dive into Time’s Blur on Their “Indefinably Nostalgic” 4th Album ‘Long Lost’

Paradigmes - La Femme
Features, Music, Reviews, Track-by-TrackMay 24, 2021<May 24, 2021

Eclectic, Messy, & Original: La Femme Go Track-by-Track Through Third LP ‘Paradigmes’

ViVii © Rikkard Häggbom
Features, Music, Reviews, Track-by-TrackMay 24, 2021<May 24, 2021

“Feelings, feelings, feelings!”: ViVii’s Sophomore LP ‘Mondays’ Soars with Dazzling Dream Pop

Sometimes Depressed​.​.​.​But Always Antifascist - BSÍ
MusicMay 21, 2021<May 21, 2021

“Brussels Sprouts International”: Iceland’s BSÍ Come to Life on Debut ‘Sometimes Depressed​.​.​.​But Always Antifascist’

Tyne-James Organ
Debut, Features, Music, Reviews, Track-by-TrackMay 21, 2021<May 21, 2021

“Emotional, Real, & Raw”: Tyne-James Organ Dives into Debut Album ‘Necessary Evil’

Livingmore © Joseph Cultice
Music, Reviews, Track-by-TrackMay 21, 2021<May 21, 2021

Track-by-Track: Dance Your Problems Away with Livingmore’s Sophomore LP ‘Take Me’

Litany © 2021
Artist to Watch, Music, ReviewsMay 20, 2021<May 20, 2021

Litany Tackles Love & Depression in Breathtakingly Bittersweet Song “Cream”

Still Broke - Samm Henshaw
Artist to Watch, Music, ReviewsMay 20, 2021<May 20, 2021

Artist to Watch: Samm Henshaw Radiates with Rich Sounds in “Still Broke” ft. Keyon Harrold

RVRSIDE
Music, Premieres, Track-by-TrackMay 20, 2021<May 20, 2021

“Bold, Quirky, & Dark”: RVRSIDE Channel the Spirit of the ’90s in ‘Bullet with Butterfly Clips’ EP

MAUMAUMAU © Lucila Muriel
Debut, Features, Music, Premieres, Reviews, Track-by-TrackMay 20, 2021<May 20, 2021

“Fun, Vulnerable, & Left-of-Center”: MAUMAUMAU Dives into Soaring Debut EP ‘Meow Meow Meow’

Holly Humberstone © Jordan Curtis-Hughes
Artist to Watch, Music, ReviewsMay 19, 2021<December 30, 2021

Holly Humberstone’s Radiant “The Walls Are Way Too Thin” Reckons with Turmoil & Disarray

Joy Oladokun © Nolan Knight
Artist to Watch, Features, Interviews, MusicMay 19, 2021<October 1, 2021

Bridging the Spiritual and the Physical: A Conversation with Joy Oladokun

Grace Aimi © ARISAK
Columns, Music, Today's SongMay 19, 2021<May 19, 2021

Today’s Song: Grace Aimi Paints a Colorful Confessional in “Rainbow” Off Debut EP ‘PICNIC’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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