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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

'Under My Influence' Bonus Tracks - The Aces
Music, Reviews, This Just InFebruary 5, 2021<February 5, 2021

This Just In: The Aces Keep Shining with Buoyant New Songs “Sleepy Eyes” & “Aren’t You”

emawk © 2021
Columns, Music, Today's SongFebruary 5, 2021<February 5, 2021

Today’s Song: emawk Takes the “HIGHROAD” in Spellbinding New Single

The Staves © Sequoia Ziff 10
Features, Interviews, MusicFebruary 5, 2021<April 8, 2021

Feature: The Staves’ ‘Good Woman’ Is an Intimate & Breathtaking Masterpiece

Ruti © 2021
Columns, Music, Today's SongFebruary 4, 2021<February 5, 2021

Today’s Song: Ruti’s Radiant “My Sunrise” Is a Bright & Buoyant Vibe

JONAH © Bastian Kempf
Music, Music Videos, PremieresFebruary 4, 2021<February 11, 2021

Premiere: JONAH’s Hauntingly Delicate “Fallin'” Radiates with Cinematic Intimacy & Connection

Waves - Suad
Debut, Features, Interviews, Music, ReviewsFebruary 3, 2021<February 3, 2021

“Emotional, Caring, & Honest”: Finland’s SUAD Stuns with Sweeping Debut Album ‘Waves’

Portair © Ashley Osborn
Music, PremieresFebruary 3, 2021<February 3, 2021

Premiere: Portair Evokes Weightless Folk Pop Wonder in “Paper in the Sky”

Mosa Wild © 2021
Music, ReviewsFebruary 2, 2021<February 2, 2021

Review: Mosa Wild Return with Tender Single “Cry Baby,” a Beautiful & Compelling Upheaval

Jeauneil © Coco Victoria
Columns, Music, Today's SongFebruary 2, 2021<February 2, 2021

Today’s Song: Jeauneil Captures the Weight of “Falling” with Breathtaking Debut Single

When You Found Me - Lucero
Features, Interviews, Music, Reviews, Track-by-TrackJanuary 29, 2021<March 14, 2021

“You’re Your Family”: Lucero Dive into the Depths of Sweeping Tenth Album ‘When You Found Me’

Shrug - Rat Tally
Columns, Music, Today's SongJanuary 29, 2021<January 29, 2021

Today’s Song: Rat Tally’s Raw “Shrug” Is a Tender, Fragile, & Intimate Upheaval

Verzache © 2021
Features, Interviews, MusicJanuary 29, 2021<January 29, 2021

Interview: Toronto’s Verzache Dwells in the Wavey, Hazey Depths of “All I Need” Off Forthcoming Debut ‘My Head Is a Moshpit’

Adam Melchor © 2020
Artist to Watch, Music, ReviewsJanuary 28, 2021<January 28, 2021

Artist to Watch: Adam Melchor Stuns with Breathtakingly Beautiful Songs “Life on Earth?” & “The Last Song on Earth”

Phantom Wave © 2021
Columns, Music, Today's SongJanuary 28, 2021<January 28, 2021

Today’s Song: Brooklyn’s Phantom Wave Dwell in Ethereal Shoegaze Depths on Overdriven Upheaval “Billows”

Doohickey Cubicle © Jordyn Taylor-Robins
Music, PremieresJanuary 28, 2021<January 28, 2021

Premiere: Doohickey Cubicle’s Hazey Song “Sign Here” Is a Cheeky & Intoxicating Celebration of Consumerism

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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