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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Valley "Like 1999" promo
Interviews, Music, ReviewsApril 7, 2021<April 7, 2021

Interview: VALLEY Capture ’90s Nostalgia in Uplifting Pop Anthem “Like 1999”

Talia © Josefine Cardoni
Debut, Features, Music, Reviews, Track-by-TrackApril 6, 2021<April 6, 2021

“Heart, Body, & Soul”: Brooklyn’s TALIA Dives into Her Intimate & Visceral Debut EP ‘headrush’

Beach Tiger © Honey Trap
Music, PremieresApril 5, 2021<April 5, 2021

Premiere: Beach Tiger Soars in Bright, Wild, & Wondrous “Where Do We Go From Here?”

Atwood Magazine Editor's Picks 49
Columns, Editor's Picks, Features, MusicApril 2, 2021<May 7, 2021

Editor’s Picks 49: Eliza Shaddad, Madi Diaz, Mustafa, E L E Y, VARLEY, & Amythyst Kiah

whiterosemoxie © Greg Gouvia
Music, ReviewsApril 2, 2021<April 2, 2021

‘ALL i’ve HEARD’: whiterosemoxie Shares His Musical Influences, New Songs “stains” & “Ring the Alarm”

Hey, King! © Richard Fournier
Features, Music, Reviews, Track-by-TrackApril 2, 2021<April 2, 2021

“Hope-Filled, Anthemic, & Canadian”: Hey, King! Dive into Their Energizing & Resilient Self-Titled Debut

Octopus's Garden
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

In the Shade: The True(ish) Story Behind The Beatles’ “Octopus’s Garden”!

Alex Little & The Suspicious Minds
Music, Premieres, Reviews, Track-by-TrackApril 1, 2021<April 1, 2021

“Raw, Fierce, & Catchy”: Alex Little & The Suspicious Minds Dive into Debut Album ‘Waiting to Get Paid’

Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

Led Zeppelin Rises: New Album Out in September & Reunion Tour This Fall

Hey Violet © Diana Mantis
Music, ReviewsMarch 31, 2021<March 31, 2021

Hey Violet Channel Isolation Angst into Buoyant Pop Anthem “Friends Like This”

Joana Serrat © Andrea Font
Music, Music Videos, PremieresMarch 31, 2021<March 31, 2021

Premiere: Tackling Substance & Significance with Joana Serrat’s Smoky “Pictures”

Lucy Park © Alex Harper
Interviews, Music, Reviews, Track-by-TrackMarch 31, 2021<March 31, 2021

“Reflective, Intimate, & Warm”: Lucy Park Dives into Her Intimate Debut EP ‘Before I Speak’

Sunjacket © Micah Sedmak
Music, PremieresMarch 30, 2021<March 30, 2021

Premiere: With “In My Head,” Chicago’s Sunjacket Return with a Seductive Taste of Indie Rock Noir

Ziggy Alberts © Janneke Storm 9
Features, Interviews, Music, Reviews, Track-by-TrackMarch 30, 2021<March 30, 2021

“Calm, Inclusive, & Warm”: Ziggy Alberts Shines on Fifth Album ‘searching for freedom’

Soda Blonde © Ste Murray
Artist to Watch, Music, Reviews, This Just InMarch 30, 2021<March 30, 2021

This Just In: Soda Blonde Make a Big Statement with Smoldering Single “Small Talk”

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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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