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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Jake Isaac © Leonie Isaac
Music, Music Videos, PremieresDecember 8, 2020<December 8, 2020

Artist to Watch: Jake Isaac’s Stunningly Raw Love Song, “Eyes for You”

Dekleyn © Cath Connell
Debut, Music, Reviews, Track-by-TrackDecember 7, 2020<December 7, 2020

Track-by-Track: Sydney Indie Pop Duo Dekleyn Dive into Their Dazzling Self-Titled Debut Album

Chris Leamy © Shervin Lainez
Columns, Music, Today's SongDecember 7, 2020<December 7, 2020

Today’s Song: Chris Leamy’s “For Your Love” Is a Grandiose, Charged Anthem

Canyon City © Brooke Johnson
Music, Reviews, Track-by-TrackDecember 4, 2020<December 4, 2020

“Life Keeps Expanding”: Canyon City Goes Track-by-Track Through Intimate New EP ‘Circling the Sun’

Emanuel "Black Woman" © Matt Barnes
Features, Interviews, Music, Reviews, Track-by-TrackDecember 4, 2020<January 30, 2025

Songs About Healing: Toronto’s Emanuel Dives into His ‘ALT THERAPY’ Project & ‘Session 2: Transformation’

elkyn © Mike Harrison
Music, Reviews, This Just InDecember 4, 2020<December 4, 2020

This Just In: elkyn’s New Single “If Only It Was Alright Now” Is a Beautiful Rising Tempest

Asheville EP - Elevado
Features, Interviews, Music, Reviews, Track-by-TrackDecember 3, 2020<December 3, 2020

“Vulnerable, Personal, Liberation”: Singer/Songwriter Duo Elevado Dive into Debut ‘Asheville’ EP

I See Rivers © 2020
MusicDecember 3, 2020<December 3, 2020

“Honest, Melancholic & Uplifting”: I SEE RIVERS Go Track-by-Track Through Enthralling Debut ‘Deep & Rolling Green’

Shadow Clues - Tamar Berk
Debut, Music, PremieresDecember 3, 2020<December 4, 2020

Premiere: Tamar Berk’s Debut Single “Shadow Clues” Is a Dark & Haunting Daydream

Oddnesse © Lellopepper
Music, PremieresDecember 3, 2020<December 3, 2020

Artist to Watch: Oddnesse Dance with the Mystery of Death in Dreamy Song “Hot Air”

Features, Music, Reviews, Track-by-TrackDecember 2, 2020<May 5, 2023

“Open, Passionate, & Smooth”: Tafari Anthony Stuns & Soars on ‘The Way You See Me’ EP

Do You Think Of Me - Fretland
Music, PremieresDecember 2, 2020<December 2, 2020

Premiere: Fretland’s Heartfelt “Do You Think of Me” Is a Song of Utter Intimacy & Longing

Gracie Nash © Punch Card Films
Music, Music Videos, PremieresDecember 2, 2020<December 2, 2020

Premiere: Gracie Nash’s Soulful “Sippy Cup” Takes on Modern Romance & the Ones Who Got Away

Decoration Day © Brianna Roye
Features, Music, Reviews, Track-by-TrackDecember 1, 2020<December 1, 2020

“Cathartic, Flowing, Togetherness”: Toronto’s Decoration Day Weave a ‘Makeshift Future’ on Debut Album

OSKA & Stu Larsen © Fabian Edelbacher
Interviews, Music, PremieresDecember 1, 2020<December 1, 2020

Interview: OSKA & Stu Larsen’s Intimate Duet “Honeymoon Phase / Wide Awake & Dreaming”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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