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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Features, Music, Reviews, Track-by-TrackDecember 2, 2020<May 5, 2023

“Open, Passionate, & Smooth”: Tafari Anthony Stuns & Soars on ‘The Way You See Me’ EP

Do You Think Of Me - Fretland
Music, PremieresDecember 2, 2020<December 2, 2020

Premiere: Fretland’s Heartfelt “Do You Think of Me” Is a Song of Utter Intimacy & Longing

Gracie Nash © Punch Card Films
Music, Music Videos, PremieresDecember 2, 2020<December 2, 2020

Premiere: Gracie Nash’s Soulful “Sippy Cup” Takes on Modern Romance & the Ones Who Got Away

Decoration Day © Brianna Roye
Features, Music, Reviews, Track-by-TrackDecember 1, 2020<December 1, 2020

“Cathartic, Flowing, Togetherness”: Toronto’s Decoration Day Weave a ‘Makeshift Future’ on Debut Album

OSKA & Stu Larsen © Fabian Edelbacher
Interviews, Music, PremieresDecember 1, 2020<December 1, 2020

Interview: OSKA & Stu Larsen’s Intimate Duet “Honeymoon Phase / Wide Awake & Dreaming”

Liminal Space - Devin Sinha
Music, Reviews, Track-by-TrackNovember 30, 2020<November 30, 2020

“Wistful, Hopeful, Transition”: Seattle’s Devin Sinha Dives into Cinematic 4th LP ‘Liminal Space’

Sunday - Charlie Kaplan
Debut, Music, Reviews, Track-by-TrackNovember 30, 2020<November 30, 2020

Track-by-Track: Charlie Kaplan Meets Grief with Light in Debut Album ‘Sunday’

Emanuel "Black Woman" © Matt Barnes
Columns, Music, Today's SongNovember 27, 2020<November 27, 2020

Today’s Song: Emanuel’s Beautiful “Black Woman” Is a Moving Love Letter of Strength & Celebration

Kathleen © 2020
Features, Music, Reviews, Track-by-TrackNovember 24, 2020<December 1, 2020

Track-by-Track: Kathleen’s Intimate, Serene, & Cinematic ‘Kathleen II’ EP

Alexander Wren © Landon Edwards
Columns, Music, Today's SongNovember 24, 2020<November 24, 2020

Today’s Song: Alexander Wren’s Spellbinding “The Earth Is Flat” Is a Requiem for Love

I Left a Party for You - Pilar Victoria
Columns, Music, Today's SongNovember 23, 2020<November 23, 2020

Today’s Song: Houston’s Pilar Victoria Captures Starry-Eyed Connection in Dazzling “I Left a Party for You”

Home Team - Creature Comfort
Music, Reviews, Track-by-TrackNovember 23, 2020<November 23, 2020

Track-by-Track: Creature Comfort Root for the ‘Home Team’ on Sweeping Sophomore Album

Elsa Birgitta Bekman © 2020 8.6
Debut, Music, Our Take, Reviews, Track-by-TrackNovember 20, 2020<December 15, 2020

Track-by-Track: Elsa Birgitta Bekman’s Cinematic & Graceful Debut Album ‘Once in My Life’

Remedy - Hannah Grace
Debut, Features, Music, Reviews, Track-by-TrackNovember 20, 2020<November 20, 2020

Track-by-Track: Hannah Grace’s Stunning Debut Album Is Her Homemade ‘Remedy’

The End Is New - The Suitcase Junket
Features, Interviews, Music, Track-by-TrackNovember 20, 2020<December 19, 2020

“Doom Folk Rock”: The Suitcase Junket Weaves Hope & Desperation into ‘The End Is New’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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