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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Photo Ops © 2020
Music, Premieres, ReviewsSeptember 15, 2020<September 14, 2020

Album Premiere: Photo Ops’ Stirring 3rd Album ‘Pure at Heart’ Is a Confessional Alt-Folk Dream

Autumn Nicholas © 2020 1
Music, PremieresSeptember 14, 2020<September 14, 2020

Premiere: Singer/Songwriter Autumn Nicholas Elevates Equal Rights in New Single “Side by Side”

Fergus © Vivien Tomasello
Music, Reviews, This Just InSeptember 11, 2020<January 21, 2021

This Just In: Fergus’ Stunning Inner Reckoning “Enough for You” Is an Alt-Pop Outpouring

Atwood Magazine Editor's Picks 39
Columns, Editor's Picks, Features, MusicSeptember 11, 2020<September 11, 2020

Editor’s Picks 39: Timothy Nelson, TRISHES, Indiana, Kyle Dion, Tom Joshua, & The Knocks x MUNA

“Drive Thru” & “Take it From Me” - The Undercover Dream Lovers
Interviews, MusicSeptember 10, 2020<September 10, 2020

Interview: The Undercover Dream Lovers Enchants with Intent & Deep Grooves in “Drive Thru” / “Take It From Me”

The Sea The Sea © Kiki Vassilakis
Features, Interviews, Music, Reviews, Track-by-TrackSeptember 10, 2020<December 11, 2020

“Simple & True”: The Sea The Sea Stun with Enchanting, Warm & Wondrous 3rd Album ‘Stumbling Home’

Gatlin © 2020
Debut, Music, Reviews, Track-by-TrackSeptember 10, 2020<September 9, 2020

“Hurts So Good”: Gatlin Embraces Intimate & Catchy Depths on Debut EP ‘Sugarcoated’

penelope © Genevieve Andrews
Music, PremieresSeptember 10, 2020<September 10, 2020

Premiere: penelope’s “coming home” Is a Heartfelt Homecoming

Camille Christel © Eleanor Hardwick
Debut, Music, Reviews, Track-by-TrackSeptember 9, 2020<September 9, 2020

Dreamlike, Blue, & Cinematic: Camille Christel Unveils Her Stirring “Audible Diary” Debut EP, ‘You’

Nonsuch Park - Scott Helman
Music, Reviews, Track-by-TrackSeptember 8, 2020<September 8, 2020

Track-by-Track: Scott Helman’s Heart Soars in Sophomore Album ‘Nonsuch Park (sa)’

in earnest © 2020
Music, PremieresSeptember 8, 2020<October 8, 2020

Premiere: UK Trio in earnest Enchant with Wistful Reflections on “29”

Josiah Johnson © Sela Shiloni
Debut, Features, Interviews, MusicSeptember 4, 2020<September 4, 2020

“Resilience Instead of Perfection”: Josiah Johnson Dives into Debut Solo Album ‘Every Feeling on a Loop’

Features, Interviews, MusicSeptember 3, 2020<October 6, 2020

Interview: Daughtry Capture 2020’s Intensity in Apocalyptic Song, “World on Fire”

Good Days Bad Days - Anna Straker
Music, PremieresSeptember 3, 2020<September 29, 2020

Premiere: Anna Straker & Gabrielle Aplin Team Up on Intimate Outpouring “Good Days Bad Days”

Touch The Sound - Spun Out
Debut, Music, Reviews, Track-by-TrackSeptember 3, 2020<September 3, 2020

Track-by-Track: Flying Through Spun Out’s Cosmic Debut Album ‘Touch the Sound’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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