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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Debut, Music, Music Videos, PremieresFebruary 12, 2020<February 12, 2020

Premiere: Artist-to-Watch Ryann Emerges with Irresistible, Impassioned Sophomore Single “Drive”

Fake Shape © David Caleb Courtney 2019
Debut, Music, PremieresFebruary 12, 2020<February 13, 2020

Premiere: Fake Shape Get Real Jazzy in Debut “Headspace”

Atwood Editor's Picks 28
Columns, Editor's Picks, Features, MusicFebruary 11, 2020<February 11, 2020

Editor’s Picks: February 11, 2020

Alexander Biggs © Jack Cain
Music, PremieresFebruary 11, 2020<February 10, 2020

Premiere: Alexander Biggs’ Breathtaking Song “Laundromat” & the Weight of Disconnection

Broken Robots © Joel Lopez
Music, Music Videos, PremieresFebruary 11, 2020<February 10, 2020

Premiere: Feeling Like a Fish with Broken Robots’ “Dimes and Quarters”

Paige Cora © Jennifer McCready
Music, PremieresFebruary 11, 2020<February 11, 2020

Premiere: Paige Cora Journeys Down “The Good Side of Desire” and Self-Discovery

JJ Wilde © Jonathan Weiner
Interviews, Music, Music Videos, ReviewsFebruary 7, 2020<February 7, 2020

Interview: JJ Wilde Reveals Her Raw & Vulnerable Side in “Funeral for a Lover”

Oh Wonder © Olga De La Iglesia
Features, Interviews, MusicFebruary 7, 2020<March 6, 2020

Interview: Oh Wonder Dive into Their Intimate Third Album, ‘No One Else Can Wear Your Crown’

Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Youngr & Tall Children Join Forces in Irresistible Sun-Soaked Banger “Last for Long”

Kerry Hart © Lauren Dukoff
Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Kerry Hart Tears into Life’s Paradox in Raw, Emotional “Screaming Quietly”

Harmless © 2020
Music, ReviewsFebruary 5, 2020<February 5, 2020

Love, Tears, & Recovery: Harmless’ Spiritually Cleansing ‘Condiciones’ EP

Alexandria Maillot © Laura Baldwinson
Music, Music Videos, PremieresFebruary 5, 2020<March 2, 2025

Video Premiere: Alexandria Maillot’s Dark, Emotionally Intense “Someone to Keep You Warm”

Emily Keener © Adam Maraschky
Music, PremieresFebruary 4, 2020<February 4, 2020

Premiere: Emily Keener’s “Do You Love Me Lately?” Crosses Desire & Fear with Haunting Indie Folk Vulnerability

Núria Graham © Marc Cusco
Music, PremieresFebruary 4, 2020<February 4, 2020

Premiere: Núria Graham’s Sweet “Toilet Chronicles” Is a Beautiful, Messy Love Song

Josiah Johnson music © Ben Fee
Debut, Music, Reviews, This Just InFebruary 3, 2020<March 6, 2020

Josiah Johnson Captures Our Head & Our Heart with Solo Debut “World’s Not Gonna End”

Posts pagination
1 … 177 178 179 180 181 … 293

Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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