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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Campsie © Joshua Onabowu
Debut, Music, PremieresOctober 1, 2019<October 1, 2019

Premiere: London’s Campsie Debuts with Intimate Indie Pop Upheaval “I’m Gone”

Atwood Magazine Editor's Picks 23
Editor's Picks, Features, MusicOctober 1, 2019<October 16, 2019

Editor’s Picks: October 1, 2019

GRAE music © Lizzie O’Donnell
Features, Interviews, MusicSeptember 30, 2019<April 15, 2022

Passion, Anger, and Empowerment: Inside GRAE’s Anthemic “Woman’s World”

Brightside
Music, PremieresSeptember 30, 2019<September 30, 2019

Premiere: Pittsburgh’s Brightside Get the Blood Pumping with “Just Like Dancing”

Litany © Marieke Macklon // Love Letter
Music, Reviews, This Just InSeptember 30, 2019<May 20, 2021

This Just In: Litany’s Sweet N’ Spicy “Love Letter” Hurts Just Right

Lee Bowie © Rebecka Häggblom
Music, Music Videos, PremieresSeptember 27, 2019<September 27, 2019

Premiere: Lee Bowie Tempt & Entice with the Seductive Pop of “Tubes”

Mappe Of © Matt Barnes
Features, Interviews, Music, PremieresSeptember 27, 2019<September 27, 2019

Premiere: Mappe Of Breathes Life & Cryptic Beauty into Mystic Song “Unkno”

Boy & Bear © Daniel Boud
Features, Interviews, Music, PremieresSeptember 26, 2019<September 26, 2019

Feature: Boy & Bear on Celebrating Challenge & Reclaiming Life in New Album ‘Suck on Light’

The Singer - Cuntrie
Debut, Interviews, Music, PremieresSeptember 26, 2019<September 26, 2019

Feature: Meet Cuntrie and Her Achingly Intimate Debut Single “The Singer”

Cold War Kids © Rodrigo Villordo
Columns, Music, Today's SongSeptember 20, 2019<September 19, 2019

Today’s Song: Cold War Kids Lay Down the Magic in “Waiting for Your Love”

Music, PremieresSeptember 19, 2019<October 16, 2019

Premiere: Modern Love Child Is Restless & Unapologetically True-to-Self on “In a City”

The Cordial Sins © Tiera D. Photo
Music, Music Videos, PremieresSeptember 19, 2019<September 19, 2019

Premiere: The Cordial Sins Embrace “Cruel” Love and Death’s Sweet Romance

Louien © Julia Marie Naglestad
Debut, Features, Music, PremieresSeptember 19, 2019<September 19, 2019

Album Premiere: Louien Transforms Grief into Beauty on Soul-Stirring Debut ‘None of My Words’

Kirsten Izer © Todd Schmiedlin
Music, PremieresSeptember 19, 2019<September 19, 2019

Premiere: Brooklyn’s Kirsten Izer Waxes Bittersweet in Stripped Song “One Year”

Saint Luxury - Broke Royals
Music, ReviewsSeptember 18, 2019<September 18, 2019

Album Review: The Rich, Raw Polish of Broke Royals’ ‘Saint Luxury’

Posts pagination
1 … 188 189 190 191 192 … 296

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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