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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Ian Randall Thornton © Lauren Stonestreet
Music, PremieresOctober 17, 2019<October 17, 2019

Premiere: Ian Randall Thornton Returns with a Spiritual Embrace in “North & South”

Oh Mother - Sive
Music, PremieresOctober 17, 2019<October 17, 2019

Premiere: Sive’s Ethereal, Earthly Lament “Oh Mother” Aches with a Heavy Heart

Gabriela Eva © Rob Watts
Music, Music Videos, PremieresOctober 17, 2019<October 17, 2019

Premiere: Basking in Gabriela Eva’s Jazzy, Soulful “HEY!”

Benjamin Roustaing
Music, PremieresOctober 17, 2019<October 17, 2019

Premiere: Stockholm’s Benjamin Roustaing Debuts Breathtakingly Delicate “When You Love Someone Else”

Leslie Odom Jr. © Jimmy Fontaine
Music, PremieresOctober 17, 2019<December 5, 2019

Premiere: Leslie Odom Jr. Indulges in Love’s Thrill on Frisky New Single “Go Crazy”

Minor Pieces
Features, Music, ReviewsOctober 16, 2019<October 16, 2019

Review: Minor Pieces Weave Intimate Avant-Folk Beauty into Stirring Debut Album ‘The Heavy Steps of Dreaming’

Ghost - Bodies on the Beach
Music, PremieresOctober 16, 2019<October 16, 2019

Premiere: Burning the Midnight Candle with Bodies on the Beach’s “Ghost”

Dolly Valentine © Dolly Valentine
Debut, Music, PremieresOctober 15, 2019<February 14, 2025

Dolly Valentine Emerges with Breathtaking Indie Folk Lullaby “Flowers on the Highway”

Leah Capelle © Mackenzie Breeden
Interviews, Music, ReviewsOctober 14, 2019<July 1, 2020

Leah Capelle Dives into the Aching Pop Polish of “know me better”

N.Y.C.K. © 2019
Music, PremieresOctober 14, 2019<October 16, 2019

Premiere: N.Y.C.K.’s Wild N’ Wondrous Homecoming Song “Threes”

Emily Blue © Morgan Paije
Interviews, Music, PremieresOctober 11, 2019<January 29, 2026

Premiere: Emily Blue Rewinds & Ignites in Stunning Power Ballad “17”

Left Vessel
Columns, Music, Today's SongOctober 11, 2019<October 10, 2019

Today’s Song: Left Vessel Latches on Love in “Please Don’t Stop”

Núria Graham
Music, Music Videos, PremieresOctober 10, 2019<October 10, 2019

Premiere: Núria Graham’s Vibrant “Smile on the Grass” Indulges in the Existential & Intimate

Future Thieves © Andrew Fannin
Music, PremieresOctober 10, 2019<October 10, 2019

Premiere: Future Thieves “Get Up” with the Heat in Fiery New Groove

Racoon Racoon © Yoris Photographer
Music, PremieresOctober 9, 2019<November 21, 2019

Premiere: The Blissful Revelry of Racoon Racoon’s Acoustic Love Song “Thunderbird”

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Recent Posts

  • Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers! March 18, 2026
  • Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions March 18, 2026
  • “Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You” March 18, 2026
  • “We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality March 18, 2026
  • Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ March 17, 2026
  • “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month March 17, 2026
  • “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth March 17, 2026
  • Atwood Magazine’s Weekly Roundup: March 17, 2026 March 17, 2026
  • Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist March 16, 2026
  • “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem March 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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