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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Jeff Beam © Kate Beever
Music, Music Videos, PremieresApril 16, 2018<April 16, 2018

Premiere: A Woodland Inner Journey in Jeff Beam’s “Something Came From Nothing”

Aliso - Malena Zavala 9
Debut, Music, Our Take, ReviewsApril 13, 2018<April 12, 2021

Our Take: The Mystic Beauty of Malena Zavala’s Debut ‘Aliso’

Stardust Creatures © Kristen Mita
Music, Music Videos, PremieresApril 13, 2018<April 13, 2018

Premiere: Stardust Creatures’ Underdog Anthem “Spaced Out” Is an Otherworldly NYC Adventure

DEZORAH © Virgil Pena
Music, PremieresApril 13, 2018<April 13, 2018

Premiere: Energy & Anxiety in DEZORAH’s Turbulent “Intención”

Maybe I Will - The Local
Music, Music Videos, PremieresApril 13, 2018<April 13, 2018

Premiere: “Maybe I Will,” The Local’s Hearty Folk-Punk Screw You

Feels Like Air - ISLAND
Debut, Features, Music, Our Take, ReviewsApril 12, 2018<April 26, 2018

Our Take: Fire & Hunger Fuel ISLAND’s Majestic Debut Album, ‘Feels Like Air’

Taylor Phelan © Mike Windle
Music, Music Videos, PremieresApril 12, 2018<April 12, 2018

Premiere: It’s a “Long Way Down” in Taylor Phelan’s Anthemic Life Lesson

The Sea The Sea © Kiki Vassilakis
Columns, Music, Today's SongApril 11, 2018<February 20, 2019

Today’s Song: The Sweet Seduction of The Sea The Sea’s “Bang Bang Bang”

Only Bricks © Matt Edge
Music, PremieresApril 11, 2018<April 11, 2018

Premiere: Indulging in Only Bricks’ Sunny Anthem “(Your Love Gets Me) High”

NoMBe © Jack McKain
Debut, Features, Interviews, MusicApril 11, 2018<June 12, 2018

We Definitely Love Him: An Interview with NoMBe

Lynda © 2018
Debut, Music, PremieresApril 10, 2018<April 10, 2018

Premiere: Lynda Indulge in Heartache on Debut Single “UFO”

Megan Lara Mae © Leva Sproge
Music, PremieresApril 10, 2018<April 12, 2018

Premiere: Finding Inspiration in Megan Lara Mae’s Spirited Anthem “Caribou”

Yoste © 2018
Music, Music Videos, PremieresApril 9, 2018<April 10, 2018

Premiere: Dwell in the Warm Embrace of Yoste’s “Arc” (stripped)

Dana and the Wolf © Bryan Mederos
Music, PremieresApril 6, 2018<April 6, 2018

Premiere: TIME’S UP for Predators in Dana and the Wolf’s “Modern Midas”

Nation of Two - Vance Joy album art
Music, ReviewsApril 6, 2018<April 6, 2018

Highlighting the Sweetest Moments in Vance Joy’s ‘Nation of Two’

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
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  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
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  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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