• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Driftwood © Danielle Geristen
Features, Music, PremieresOctober 17, 2016<October 17, 2016

Exclusive Premiere: Driftwood’s “Too Afraid” Explores Attraction’s Pleasure and Pain

Oh Wonder © 2016
Atwood On Tour, Columns, Features, Interviews, MusicOctober 14, 2016<December 9, 2016

Humble, Honest, and Human: Catching Up with Oh Wonder

DD Allen © 2016
Debut, Features, Music, PremieresOctober 14, 2016<October 14, 2016

Exclusive Premiere: “Just Like The Old Days,” DD Allen’s Timeless Pursuit of Happiness

Rocket Quaffle - Couch Jackets
Features, Music, Music Videos, PremieresOctober 12, 2016<October 12, 2016

Exclusive Premiere: Couch Jackets’ “Rocket Quaffle” Is a Fun, Colorful Chaos

Zach Ashton
Features, Music, PremieresOctober 11, 2016<October 11, 2016

Exclusive Premiere: The Painstaking Patience of Zach Ashton’s “Borderline”

BRÅVES "Me The Thief" still
Columns, Music, Music Videos, Today's SongOctober 7, 2016<October 7, 2016

Today’s Song: Love is Love on BRÅVES’ Powerfully Passionate “Me The Thief”

"National Fantasy" still - Bridges and Powerlines
Features, Music, Music Videos, PremieresOctober 6, 2016<October 6, 2016

Exclusive Premiere: Bridges and Powerlines’ “National Fantasy” Searches for Meaning

"Plastic Heaven" - Andrew Joslyn
Debut, Features, Music, PremieresOctober 5, 2016<February 10, 2017

Exclusive Premiere: Andrew Joslyn’s Dazzling “Plastic Heaven” Dissects Fame with Fiery Passion

Jain © RCA Records
Columns, Music, Music You Should KnowOctober 4, 2016<October 4, 2016

Music You Should Know: Jain’s Irresistible “Come” Balances Dark Poetry with a Light Bounce

Catch Prichard © Leif Huron
Features, Music, PremieresOctober 4, 2016<October 4, 2016

Exclusive Premiere: Familiarity and Disconnect Haunt Catch Prichard’s “Hometown”

still from Charlotte OC's "Darkest Hour"
Features, Interviews, Music, Music VideosSeptember 30, 2016<March 1, 2018

Love, Loss, and Hope in Her Darkest Hour: A Conversation with Charlotte OC

Young the Giant 2016
Features, Interviews, MusicSeptember 29, 2016<June 15, 2018

Amerika, Identity, and the Home of the Strange: A Conversation with Young the Giant

Bridges and Powerlines © Mara Abols
Features, Music, PremieresSeptember 27, 2016<September 27, 2016

Exclusive Premiere: The Polished Punch of Bridges and Powerlines’ “Even Killers Need A Home”

The Happy Fits
Debut, Features, Interviews, MusicSeptember 26, 2016<April 28, 2017

An Awfully Apeelin’ Story: Introducing The Happy Fits

Paige Calico © Henry Diltz
Debut, Features, Music, PremieresSeptember 23, 2016<September 23, 2016

Exclusive Premiere: Paige Calico’s Haunting “Crying Diamonds” EP Seeks Clarity in Chaos

Posts pagination
1 … 284 285 286 287 288 … 301

Recent Posts

  • Looping Lyrics & Looney Tunes: Michele Bry Bottles Nostalgia into Perfume on Her Debut Mixtape ‘Essentials Vol. 1’ May 5, 2026
  • The Twelve-Year Fire: Livingmore on Love, Creativity, Identity, Independence, & the Kindness of Japan’s Music Scene May 5, 2026
  • “You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret May 5, 2026
  • “I’d Know Your Face from Anywhere”: Gay Meat Creates a Musical Memorial with ‘Blue Water’ May 4, 2026
  • “I Feel Freed”: Hackney’s Pierre Da Silva Surrenders to Temptation on “Taboo,” a Smoldering, Soul-Soaked Seduction May 4, 2026
  • Friko Clean Up by Getting Messy in ‘Something Worth Waiting For’ May 4, 2026
  • Atwood Magazine’s Weekly Roundup: May 1, 2026 May 1, 2026
  • Meet Moody Joody: Three Musicians, Two Prevailing Moods, One Awesome Pop Trio Worth Keeping Your Eyes On May 1, 2026
  • “I’m Gonna Keep on Throwing Curveballs”: Brett Emmons Starts Fresh as John Shambles on ‘Cabin Fever,’ His Most Honest, Unvarnished Work Yet May 1, 2026
  • “My Limerence Just Fell on You”: NYC’s People I’ve Met Slowly Unravel into Aching Catharsis on “Loving One,” a Fragile, Intimate, & Soul-Stirring Reverie May 1, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services