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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Lunch Ladies © Daniel Topete
Debut, Features, Music, PremieresMarch 2, 2017<March 2, 2017

Exclusive Premiere: Lunch Ladies Serve an Angsty Adrenaline Rush in “Lazy”

Pueblo © 2017
Debut, Features, Music, PremieresMarch 2, 2017<March 8, 2017

Exclusive Premiere: A Carousel of Emotions on Pueblo’s Dreamily Reflective “Nausea”

Big Black Car - Strange Americans still
Features, Music, Music Videos, PremieresMarch 1, 2017<March 1, 2017

Exclusive Premiere: The Fate of the Outlaw in Strange Americans’ “Big Black Car”

Spike's Groove - Stelle Amor
Music, PremieresMarch 1, 2017<March 1, 2017

Exclusive Premiere: Stelle Amor is Addicted to Love in “Spike’s Groove”

blood summer. - Lasko & Kestler
Features, Music, PremieresMarch 1, 2017<March 1, 2017

Exclusive Premiere: Lasko & Kestler’s “The View” is Vulnerable and Soulful in the Darkness

Seattle Yacht Club © 2017
Features, Music, PremieresFebruary 28, 2017<February 28, 2017

Exclusive Premiere: Love Hurts and Synths Pulse on Seattle Yacht Club’s “Discogenic”

Sleep - RXC
Columns, Music, Today's SongFebruary 28, 2017<February 27, 2017

Today’s Song: Detachment and Intimacy on RXC’s Dark “Sleep”

Ashley Riley © Travis Lickey
Features, Music, PremieresFebruary 27, 2017<February 27, 2017

Exclusive Premiere: Love Pushes and Pulls on Ashley Riley’s Aching “Can’t Let You Go”

i feel so cold - rei brown
Features, Music, PremieresFebruary 24, 2017<February 27, 2017

Exclusive Premiere: Heartbreak Reigns on Rei Brown’s ‘i feel so cold’ EP

Mike Liegel © 2017
Debut, Features, Music, PremieresFebruary 24, 2017<February 24, 2017

Exclusive Premiere: Mike Liegel is Helplessly in Love on Debut “Stick Around”

Sun Gazing - Sea Fuzz © Greg Reitman
Features, Music, Music Videos, PremieresFebruary 23, 2017<March 2, 2017

Exclusive Premiere: Lose Yourself in the Beachy Surrealism of Sea Fuzz’s “Sun Gazing”

20 Minute Loop: Kelly Atkins, Greg Giles © Teresa Miller
Features, Music, PremieresFebruary 23, 2017<February 27, 2017

Exclusive Premiere: 20 Minute Loop Remember Nazi Terror on “Giftgas”

Aria Jay © Janet S. Kim
Features, Music, Music Videos, PremieresFebruary 22, 2017<February 22, 2017

Exclusive Premiere: Aria Jay’s “He Said” Captures the Lingering Pain of Rejection

Timid, the Brave © Kevin Miller
Features, Music, PremieresFebruary 22, 2017<February 28, 2017

Exclusive Premiere: Timid, the Brave’s ‘Firesale’ is a Calm within the Storm

Mothlight
Features, Music, PremieresFebruary 17, 2017<February 17, 2017

Exclusive Premiere: The Dazing Dream Pop Reverie of Mothlight’s “Laika”

Posts pagination
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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
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  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
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  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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