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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Debut, Features, Music, ReviewsApril 20, 2015<April 21, 2015

Mideau’s Debut Is A Win for Electronic Singer/Songwriters

The Magic Whip - Blur
Columns, Music, Today's SongApril 18, 2015<April 18, 2015

Today’s Song: “My Terracotta Heart” – Blur

Language & Perspective - Bad Suns
Columns, Debut, Features, Music, Music You Should Know, ReviewsApril 16, 2015<April 17, 2015

Music You Should Know: Bad Suns’ “Language & Perspective”

Delta Rae
Concerts, Music, News, PhotographyApril 15, 2015<April 16, 2015

Concert Shots: Delta Rae / Greg Holden @ Webster Hall, NY

Steps - Handsome Ghost
Concerts, Features, Interviews, MusicApril 14, 2015<April 14, 2015

The Ethereal and the Real: A Conversation with Handsome Ghost

Columns, Music, Today's SongApril 8, 2015<April 8, 2015

Today’s Song: “RUN” – San Cisco

Columns, Music, Today's SongApril 5, 2015<April 5, 2015

Today’s Song: “Meet Me” – Animal Years

Dear Misfortune, Mother of Joy - Broken Back
Columns, Music, Today's SongApril 1, 2015<April 1, 2015

Today’s Song: “Happiest Man On Earth” – Broken Back

Concerts, Features, Music, News, Our Take, ReviewsMarch 27, 2015<March 27, 2015

SOLD OUT! CATFISH AND THE BOTTLEMEN STEAL NYC

Chaos and the Calm - James Bay
Debut, Features, Music, Our Take, ReviewsMarch 25, 2015<October 29, 2015

James Bay’s Chaos and the Calm: A Track-by-Track Review

Jack Garratt
Music, Today's SongMarch 24, 2015<March 20, 2016

Today’s Song: The Beautiful Layers of Jack Garratt’s “Worry”

Music, Today's SongMarch 20, 2015<March 20, 2015

Today’s Song: “Begging” – Lions Head

Dope Machines - The Airborne Toxic Event
Features, Music, Our Take, ReviewsMarch 14, 2015<March 14, 2015

The Airborne Toxic Event are reborn on Dope Machines

Debut, Features, Interviews, Music, ReviewsMarch 10, 2015<February 23, 2016

Taylor Berrett Rises with “Great Falls”

A Silent Film are Robert Stevenson (left) and Spencer Walker (right)
Columns, Music, Today's SongMarch 4, 2015<August 27, 2015

Today’s Song: “Tomorrow” – A Silent Film

Posts pagination
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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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