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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Mellons © Vern Tooley
Interviews, Music, Music Videos, PremieresNovember 27, 2023<November 27, 2023

Premiere: The Mellons Reinvent ’60s Power Pop in “Make Me Feel,” a Psych-Soaked, Smile-Inducing Seduction

Slothrust © Marcelo Mayen
Interviews, MusicNovember 22, 2023<November 22, 2023

“If you’re horny, let’s do it”: Slothrust Deliver Seductive Slow Thrusts in Hot n’ Sweaty “Pony” Cover

Abby Sage "Hunger" © cloudyytots
MusicNovember 22, 2023<November 22, 2023

Today’s Song: The Haunting “Hunger” and Sexual Liberation of Abby Sage

Raw Poetic, P-Fritz, & Damu the Fudgemunk
MusicNovember 21, 2023<November 21, 2023

“Beastie, Tribe, & Enemy”: Raw Poetic’s ‘Away Back In’ Is a Soulful, Smoldering Hip-Hop Seduction

Bridget Rian "Sydney Sweeney" © Libby Danforth
Columns, Music, Today's SongNovember 21, 2023<November 21, 2023

“Sydney Sweeney” Is a Dramatic, Cinematic, and Emotionally-Charged Hit for Bridget Rian

Bad Suns © Sarah Eiseman
Features, Interviews, Music, Track-by-TrackNovember 21, 2023<November 21, 2023

Track-by-Track: Bad Suns Bask in the Glow of ‘Infinite Joy’

Charli Adams for Atwood Magazine © Luke Rogers
Features, Interviews, Music, Track-by-TrackNovember 20, 2023<November 20, 2023

Track-by-Track: Charli Adams Bares Her Soul in ‘nothing to be scared of,’ a Confessional, Cathartic & Fearless EP

The Staves 'All Now' © Harvey Pearson
Music, Reviews, This Just InNovember 20, 2023<November 20, 2023

This Just In: The Staves Are “All Now,” Isn’t It Exciting?!

Kelsey Abbott © Gabe Drechsler
Columns, Music, Today's SongNovember 17, 2023<November 17, 2023

Today’s Song: Kelsey Abbott’s Dreamy “Night Vision Goggles” Basks in Love’s Eternal Warmth & Beauty

Richard Walters © Will Killen
Features, Interviews, Music, Track-by-TrackNovember 17, 2023<November 17, 2023

Track-by-Track: Richard Walters Soars on ‘Murmurate,’ a Record of Reconnection and the New Normal

Glitterfox © Jacquelyn Rachelle Cruz
Columns, Today's SongNovember 16, 2023<November 16, 2023

Today’s Song: Portland, OR’s Glitterfox Ache With Anxiety & Exhaustion on “TV,” a Cathartic Indie Rock Anthem

Holly Humberstone 'Paint My Bedroom Black' © Constantine Spence 10
Debut, Music, ReviewsNovember 16, 2023<November 16, 2023

Our Take: Holly Humberstone’s ‘Paint My Bedroom Black’ Is a Bold, Brutal, & Breathtaking Debut

Lindsay Lou is the 'Queen of Time' © Dana Kalachnik
Features, Interviews, Music, Track-by-TrackNovember 15, 2023<November 15, 2023

Track-by-Track: Lindsay Lou’s Tender Tempest ‘Queen of Time’ Unpacks Grief, Healing, Self-Knowledge & More

Truth Club © Alex Montenegro
Columns, Music, Today's SongNovember 15, 2023<November 20, 2023

Today’s Song: “Uh Oh,” Truth Club’s Heavy-Hitting Grunge Cuts Like a Knife & Chills to the Bone

Black Polish © Alexandra Petruck
Music, PremieresNovember 15, 2023<November 15, 2023

Premiere: LA’s Black Polish Blooms in “Streetsigns,” an Achingly Intimate & Beautifully Vulnerable Confessional

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