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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Social Cinema © Justin Labadie
Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Track-by-Track: Social Cinema’s ‘Get Along’ EP Is a Chill, Easy, & Fun Alt-Rock Reverie

Santa Chiara © Zoe Salvucci
Music, PremieresMay 24, 2023<May 24, 2023

Premiere: Santa Chiara’s “Peach Tree” Is a Sun-Kissed Soundtrack to Sweet Summer Nostalgia

Scott Tyler Schwartz © 2023
Music, ReviewsMay 23, 2023<May 23, 2023

“The heat is rising”: The Shadowboxers’ Scott Tyler Schwartz Lights a Fire on “Time & Temperature”

Runnner's Noah Weinman © Seannie Bryan
Debut, Features, Interviews, MusicMay 23, 2023<May 23, 2023

Connection, Communication, and the Human Condition: A Conversation with Runnner’s Noah Weinman

Gregory Alan Isakov © Glen Ross
Columns, Music, Today's SongMay 22, 2023<June 10, 2023

“We all break a little when we fall”: Folk Farmer Gregory Alan Isakov Returns with “The Fall,” a Hauntingly Beautiful Song of Life’s Trapeze Act

Atwood Magazine's Editor's Picks 100, featuring Noah Kahan, Joy Oladokun, OTNES, BAILEN, Alexz Johnson, Young the Giant, Brian Dunne, Charli Adams, and Overcoats!
Columns, Editor's Picks, Features, MusicMay 19, 2023<May 19, 2023

Editor’s Picks 100: Noah Kahan, Joy Oladokun, OTNES, BAILEN, Alexz Johnson, Young the Giant, Brian Dunne, Charli Adams, & Overcoats!

Folamour © Koria
Columns, Music, Today's SongMay 19, 2023<May 19, 2023

Today’s Song: On “Friends,” Folamour & Tim Ayre Capture the Importance of Human Connection

Abby Holliday © Luke Holliday 2023
Features, Interviews, MusicMay 18, 2023<May 19, 2023

Interview: On ‘I’M OK NO I’M NOT,’ Abby Holliday Soundtracks Her Quarter-Life Crisis with Tasteful Turbulence & Bold Tenacity

Lauds © Mary Hannah Riley
Debut, Features, Interviews, Music, PremieresMay 18, 2023<May 18, 2023

Feature: Wilmington’s Lauds Debut with ‘Imitation Life,’ a Reflective, Shadowy, & Uplifting Dream Pop Reckoning

OK Cool © Kennedy Cottrell
Features, Interviews, Music, Track-by-TrackMay 17, 2023<May 17, 2023

“A Rabbit Hole of Digital Grief”: OK Cool’s Visceral, Vulnerable, & Raw ‘fawn’ EP

KESMAR © Jenaya Okpalanze
Columns, Music, Today's SongMay 17, 2023<May 17, 2023

That ’70s Song: The Golden, Glistening Glow of KESMAR’s “Is It You I Miss”

Rachel Croft © Andy Little
Music, PremieresMay 17, 2023<May 17, 2023

Premiere: Rachel Croft’s Smoldering “I Won’t Turn You Away” Is a Cinematic Reckoning with Grief & Loss

Moment - Gal Musette © Alex Justice
Columns, Music, Today's SongMay 16, 2023<May 16, 2023

Today’s Song: Processing Grief in the “Moment” with Gal Musette’s Achingly Beautiful Fever Dream

Auld © 2023
Music, PremieresMay 16, 2023<May 16, 2023

“This guilt-free fun don’t come around often”: Auld Premieres “I’m Exercising,” a Free-Spirited Song of Reverie & Reckoning

Dark Corners and Alchemy - mehro
Debut, Features, Interviews, Music, Track-by-TrackMay 15, 2023<May 15, 2023

Feature: mehro Shines a Light on the Shadows in ‘Dark Corners and Alchemy,’ His Breathtaking Debut Album

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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