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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Bright Light Social Hour © Jaycee Grover
Music, PremieresAugust 2, 2023<August 2, 2023

Premiere: The Bright Light Social Hour Deliver Smoldering Psychedelia on “Lifers Only” Off 5th Album, ‘Emergency Leisure’

Little Fuss © Caleb Whelan
Features, Music, Premieres, Track-by-TrackAugust 2, 2023<August 2, 2023

EP Premiere: Boston’s Little Fuss Sizzle & Soar on the Irresistible ‘Lovely Distraction’

Sofia Machray © Olivia Melhop
Features, Interviews, Music, Track-by-TrackAugust 1, 2023<August 4, 2023

“Letters to my future self”: Sofia Machray Speaks the ‘Language of Flowers’ on Her Delicate & Dynamic Debut EP

Curling © 2023
Columns, Music, Today's SongAugust 1, 2023<August 1, 2023

“Don’t be defined by these chains”: Curling’s Heated, Anthemic Alt-Rock Surrender, “Patience”

BAYEM © Owen Thomas
Features, Interviews, Music, Track-by-TrackJuly 31, 2023<July 31, 2023

Track-by-Track: BAYEM Embraces Life’s In-Betweens on Vaporwave-Inspired ‘OASIS’ EP

Nina de Vitry © Joseph Ross Photography
Music, PremieresJuly 31, 2023<July 31, 2023

Premiere: It’s the Right Time for Nina de Vitry’s Seductive & Liberating “Wrong Thing”

Darlingside © Shervin Lainez
Features, Interviews, Music, Track-by-TrackJuly 28, 2023<July 30, 2023

‘Everything Is Alive’: Inside Darlingside’s Vulnerable, Energizing & Soul-Stirring Fifth LP

I Wanna Spend It With You - The Satellite Station © 2023
Columns, Music, Today's SongJuly 28, 2023<July 28, 2023

Today’s Song: The Satellite Station’s Soulful Celebration of Love, “I Wanna Spend It With You”

Atwood Magazine's Editor's Picks 105
Columns, Editor's Picks, Features, MusicJuly 27, 2023<August 24, 2023

Editor’s Picks 105: Soda Blonde, Bombay Bicycle Club, JayWood, The Slow Show, Sarah Crean, & S. Carey x John Raymond!

Bad Tiger © 2023
Music, PremieresJuly 27, 2023<July 28, 2023

Premiere: Bad Tiger’s “New Growth” Is a Charming and Churning Indie Pop Reverie

Ty Dolla $ign "Motion" © Alex Bittan
Columns, Music, Today's SongJuly 27, 2023<July 26, 2023

Today’s Song: Ty Dolla $ign’s Irresistible “Motion” Captures the Kinetic Summer Heat

Hank © Carina Allen
Debut, Features, Interviews, Music, Track-by-TrackJuly 26, 2023<July 26, 2023

Feature: Hank’s ‘Call Me Hank’ (Deluxe) Is an Unfiltered & Uncompromising Coming-of-Age Debut

Liza Lo © 2023
Features, Interviews, Music, Track-by-TrackJuly 26, 2023<July 26, 2023

Feature: Liza Lo Soars High on Her Atmospheric, Intimate, & Poetic ‘Flourish’ EP

MOZË © Kate Marshall
Music, Music Videos, PremieresJuly 26, 2023<July 26, 2023

Premiere: MOZË’s Breathtaking “Would You Be Mine” Aches with Love, Loss, & Longing

Sleepy Gonzales © Ethan Andre
Features, Interviews, Music, Track-by-TrackJuly 25, 2023<July 26, 2023

Feature: Sleepy Gonzales’ Visceral, Volatile, & Breathtakingly Beautiful ‘Mercy Kill’ EP

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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