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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Royel Otis © Alex Wall
Columns, Music, Today's SongMarch 13, 2023<April 30, 2023

Today’s Song: “Sofa Kings” Is Royel Otis’ Gorgeous, Euphoric & Sunny Ode to Couch Royalty

Tommy Ashby © Matthew Bowen
Debut, Features, Interviews, Music, Track-by-TrackMarch 13, 2023<April 30, 2023

“Music Connects People”: Indie Folk Artist Tommy Ashby Shines on ‘Lamplighter,’ His Breathtaking Debut Album

Pax Cultura © Stéfan, The Photographer
Debut, Music, Music Videos, PremieresMarch 13, 2023<April 30, 2023

Premiere: South London’s Pax Cultura Debut with “Heavy Machinery,” a Cinematic & Emotionally Charged Indie Rock Eruption

Alaska Reid © Audrey Hall
Columns, Music, Today's SongMarch 11, 2023<April 30, 2023

Alaska Reid’s Dreamy “Back to This” Proves an Enchanting First Look at Debut Album, ‘Disenchanter’

You'll Live Forever In My Songs - Paige Su
Features, Interviews, Music, Track-by-TrackMarch 9, 2023<April 30, 2023

An Achingly Beautiful Adventure: Paige Su Pours Her Heart & Soul into New LP, ‘You’ll Live Forever in My Songs’

Sohodolls' Maya Von Doll © Catherine Harder
Music, PremieresMarch 9, 2023<April 30, 2023

Premiere: Sohodolls Re-Write Their Viral “Bang Bang Bang Bang” In a Stand Against Gun Violence

Atwood Magazine's Editor's Picks 91
Columns, Editor's Picks, Features, MusicMarch 8, 2023<March 10, 2023

Editor’s Picks 91: Marlene Oak, Aistè, Alaska Reid, Joy Oladokun, Bleach Lab, & BEL!

Handsome Ghost © Seb Keefe
Features, Interviews, Music, Track-by-TrackMarch 7, 2023<April 30, 2023

Track-by-Track: Handsome Ghost Find the Beauty in the Cracks on ‘To the Place Where We Met Last,’ a Hauntingly Human EP

The National Parks © Noah Tidmore
Features, Interviews, Music, Track-by-TrackMarch 7, 2023<April 30, 2023

A Soundtrack to Adventure: The National Parks’ ‘8th Wonder’ Is a Cinematic Road Trip Through Life, Love, & Nature

Lotus Glow - Adi Oasis
Debut, Features, Interviews, Music, Track-by-TrackMarch 3, 2023<August 16, 2024

“Being fearless pays off”: Adi Oasis Blooms on Empowering, Soul-Soaked & Seductive Debut Album ‘Lotus Glow’

Ruel '4th Wall' © Michelle Grace Hunder
Debut, Features, Interviews, Music, Track-by-TrackMarch 3, 2023<April 30, 2023

Interview: Ruel Breaks the ‘4TH WALL’ with His Cinematic Debut Album

Ging © Aska Matsumiya
Columns, Music, Today's SongMarch 2, 2023<April 30, 2023

Ging Aches, Cries, & Dwells in the Depths of “Grief,” a Painful Song of Love, Loss, and Letting Go

Derealised - Jadu Heart
Features, Interviews, Music, Track-by-TrackMarch 2, 2023<April 30, 2023

Chaos, Fuzz, & Magic: Jadu Heart’s Third LP ‘Derealised’ Is a Cathartic Dream Pop Journey From “Hopelessness to Hopefulness”

Atwood Magazine's Editor's Picks 90
Columns, Editor's Picks, Features, MusicMarch 1, 2023<March 11, 2023

Editor’s Picks 90: Pacific Avenue, Timothy Edward Carpenter, Maggie Miles, BROODS, Hallie, & Ezra Williams!

KIANJA © 2023
Artist to Watch, Music, PremieresMarch 1, 2023<April 30, 2023

Artist to Watch: London’s KIANJA Spills Her Heart & Soul in “Ever Since You Went Away,” an Instant Classic

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Recent Posts

  • “I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance December 11, 2025
  • “Dark, Romantic, & Disorienting”: Dead Gowns Channels Desire and Grief into an Indie Folk Storm on Debut Album ‘It’s Summer, I Love You, and I’m Surrounded by Snow’ December 11, 2025
  • “Fragile, Euphoric, & True”: Nick & June Craft a Cinematic Rebirth on ‘New Year’s Face,’ an Intimate Meditation on Who We Were, Who We Are, and Who We Might Become December 11, 2025
  • Review: Underbrook Burst onto the Scene with Explosive Pop-Punk Debut EP ‘Was Happiness Too Boring for You?’ December 11, 2025
  • “Sit Back Baby, Let It Go”: néomí Embraces the Art of Release in a Soul-Stirring Mantra of Softness, Surrender, & Self-Love December 11, 2025
  • “I’ve Been Trying to Have a Good Life”: Brian Dunne Reckons Through His 30s on ‘Clams Casino,’ a Radiant Rock Record of Dreams, Disillusionment, & the Cost of Wanting More December 10, 2025
  • Coming Home: Hannah Jadagu’s ‘Describe’ Is a Sanctuary for Growing Pains December 10, 2025
  • “I Wanna Be Closer to Me”: JOSEPH Turn Pain into Power as They Step into a Bold, Raw, & Reflective New Era with ‘Closer to Happy’ December 10, 2025
  • Editor’s Picks 139: Bartees Strange, Spanish Love Songs, Dijon, Deadbeat Girl, Dutch Interior, & mildred! December 9, 2025
  • “I’m Still Rooting for Us”: St. Panther on Leading With Empathy, Speaking Up When It Matters, & Crafting the Neo-Soulful Sound of ‘Strange World’ December 9, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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